Showing posts with label Action. Show all posts
Showing posts with label Action. Show all posts

Sunday, August 17, 2014

Upping the Tension in a Fight with Dialogue

by @Jeffe Kennedy

I'm a talky kind of gal, at least in fiction. I tend to be quiet in company, unless you get me going on a particular rant. But writing-wise, I love dialogue. The interplay of ideas, witty repartee, teasing, suggestion, learning, knowing - so many wonderful layers to explore in the interactions between people (or creatures). Talking can be a profound kind of intercourse.

Much like sex. Or fighting.

When interviewers ask me for facts no one knows about me - which is always hard to answer, because usually there's a reason it's not public information - I sometimes offer up this relatively little known piece of my history.

I studied martial arts for about fifteen years. Chinese ones - Shaolin Temple Boxing, T'ai Chi, Pakua, Hsing-I, among others.

That's me above, doing a public demo of how to use a common object, in this case an umbrella, to surprise and deflect an attacker - with a nice little snap kick to the jewels to seal the deal.

I drew on this experience to write one of the opening scenes from The Mark of the Tala, where my princess heroine, Andi, is attacked in the wilderness. Because this is more than just a fight, but also the incident that spurs her personal journey and her first encounter with the man who plays a pivotal role, the dialogue between them is as crucial - maybe more so - than the physical fight. I use it here to build tension, much as Andi uses it to stall, trying to think her way out of the situation. The man also uses the conversation, to keep her engaged, to discover exactly who she is and also to sway her judgement.

It's a favorite scene of mine, so I'll paste it in below. It begins when Andi and her horse take a hard fall.

Cheers!

***


            Then Fiona screamed.
            I heard it after we were already falling. I fell with her, tumbling to the grass—not soft, but brutally hard under the bright dressing. Fiona’s great supple weight rolled over me, crushing my breath. Long practice had me kicking free, so her ungainly lunging to right herself left me behind, grateful not to be dragged by my foot as she galloped out of sight.
            My lungs struggled against paralysis, grasping at the bits of air they could drag in. Knife-like pangs shot through my muscles. The image in my head throbbed with stark shock.
A man, standing there with a pack of dogs, in the fold of a wallow. Hounds bigger than wolves. No wonder Fiona had shied and lost her footing.
They would be on me in a moment.
            A man with dogs where they shouldn’t be was never a good thing. As far as I’d gone, I was surely still in Mohraya, where Uorsin owned all hunting rights. And my sword still strapped to the saddle, racing off to nowhere. Only my little dagger remained, in the sheath on my belt. If I survived this, Ursula would kill me.
            The hissing grasses as he strode toward me sent panic through my veins. Gasping, forcing my rib cage to flex, I struggled to my hands and knees.
            “Should you move just yet?” inquired a low voice.
            The air burned like fire. I looked up through the dark tangle of my hair. He stood a short distance away, black leathers, black cloak. Seven wolfhounds ringed him, sitting on their haunches, an avid audience with uncannily blue eyes.
            “I’m fine,” I managed to say evenly, thinking of the times Ursula had knocked me with the flat of her blade and taunted me until I stood. Of course, she hadn’t done that in some time, since it took me so long to get up again. “You startled my horse.”
            And you shouldn’t be on King’s Land.
            I didn’t dare say that, though. Because I shouldn’t be on King’s Land either, unless I came from the royal family, and he didn’t need to know I was Uorsin’s relation.
            “Yes,” the man agreed, dark eyes steady. “Do you need assistance standing?”
            Definitely not. The man shared the lean, hungry, and lethal look of the wolfhounds, even with his careful distance. I wiggled my knees and ankles. They felt okay. Hopefully nothing was so damaged as to make me stagger when I stood. The cold congealing in my stomach told me I couldn’t afford to appear at all weak.
            I stood, slowly, brushing grass off my riding pants as I unfolded, to give myself time to test my weight. Nothing gave way, thank Moranu.
            “I’m fine,” I repeated, returning his assessing stare, deliberately slowing my heaving lungs.
            One of the wolfhounds sniffed the air in my direction, raising its russet ears. It growled softly. A hushed word from the man settled it.
            “Not often one finds a princess unattended in the wilderness,” the man observed, as if commenting on the weather, but his face burned with an unholy, acquisitive light.
            I scoffed. “I wish! I imagine those royal brats have soft lives of silks and candies. No, I’m only hunting rabbits for my family.”
            He took a step toward me, flattening his hand to signal the dogs to stay. I steeled myself not to step back. Predators always became more dangerous when presented with a chase. Two horse lengths between us still gave me room. To do what, I didn’t know. I could never outrun those hounds.
            “Lies don’t become you, Princess.” His gaze drilled into me, evaluating, calculating. “Now, which one are you? Not Ursula the heir, I don’t think. Rumor says she looks more like a man than a woman.”
            “No closer,” I commanded.
            “Or what, Princess Amelia—you’ll scream?” He held out questioning hands to the empty sky, but he stopped closing on me.
            “I’m not Amelia,” I said on reflex. Idiot. I closed my hand over the hilt of my dagger and drew it. “And I was thinking more of using this.”
            He smiled, eyes glittering. A breeze wormed through the meadow, sending a wave through the grasses and lifting a strand of his long black hair, tied in a tail at the nape of his neck. He took another step closer and stopped, watching me to see what I’d do.
            “You’d have to get quite close to me to use that,” he purred. “Are you certain that’s wise?” He flicked long fingers, and the wolfhounds stood to attention, ears and tails high, surging around him in an eager sea.
            “What will happen is that you’ll go your way and I’ll go mine.”
            He took another step. One horse length.
            “Even if I hadn’t recognized Salena’s look about you, I’d have known you for one of Uorsin’s by the way you give orders. I am not, however, one of your subjects.”
            At the sound of my mother’s name, I lost the little breath I’d gained. The name no one spoke. This wasn’t bad. This was catastrophic.
            “Who are you, then?” I gritted out, my thighs tensing. One more step and I’d be within his reach. His looked to be a good six inches longer than mine. I was outmatched in every way. I’d have to get inside and do damage quickly, before he could inflict any on me. “Besides a bully and a trespasser.”
            He raised a defined eyebrow at my words, taking a half step. Barely outside the boundary where I’d have to act, which he had to know. He moved like a warrior and used the pressure to discomfit me. He stared me down, the hounds shifting restlessly behind him. From this close I could see his eyes weren’t black at all, but very dark blue.
            “Is that how you name me?”
            “Care to argue the points?”
            “If you’re not Ursula and not Amelia, then you’re the other one.”
            “Flawless logic.”
            He grinned unexpectedly, a flash of white teeth unsettlingly like his hounds’.
            “What shall I do, then, with this amazing piece of serendipity, Princess Andromeda?”
            “The wise trespasser would let me leave in peace. The foolish bully might find himself gutted like a pig.”
            He shifted, leaning his body a hair closer. I sank into my feet, shifting my weight into my back leg, which gave me a bit of space and made me ready to spring. Big men seldom expected a smaller opponent to jump in close, but it was the only choice for someone like me, who couldn’t afford to stay at the devastating perimeter of a larger opponent’s weapon. I kept my gaze on the center of his chest, where any movement would start.
            “Ah. Or, since I am already judged and condemned, perhaps I’ll trespass just a bit more for my trouble. If this is the opportunity I think it is, we can’t afford to waste it.”
            Don’t think. Watch for the window of opportunity.
            His hand snapped out to grab me—Moranu, he was fast—but I confused him by moving in. Men always try to grab, Ursula’s voice reminded me. It gives you time to strike if you keep your head.
            Using my momentum and holding the knife pointed down in my fist so the power of my shoulder drove it, I sliced the blade across his cheek, whipped the arc around into a circle, and slammed the hilt against his temple. My sleeve tore in his grip as I sprang away, and he dropped to his knees, clutching his face, bright blood sliding through his fingers.
            The dogs ringed him, anxious, forming a suspicious guard. I backed away, reestablishing distance. Careful to test my footing. Don’t you dare trip, or those dogs will be on you in a flash. I’d never be able to fight them off.
            The man was woozy from the blow. Ursula would have knocked him unconscious. His dark eyes found me, blazing.
            “Point to you, Andromeda.”
            “This isn’t a game.” I kept stepping back. My arm stung. “I’m leaving. Keep your dogs to you or I’ll kill them.”
            “Brave words.” He climbed to his feet, unsteady, but intention coiled through him. “But you’ve only made the test easier.”
Blood laced down his cheek and over his throat. Three horse lengths. Where was Fiona? I’d trained her to return to me if I got unseated. If I survived this, I’d have to teach her to come to me even if there were wolfhounds involved.
“Now that I have you, I cannot let you go until I know for sure if you have the mark.”
            I pointed the knife at him. “You do not have me. And you never will.”
            “Ah, lovely Andromeda—I think you’re mistaken in that.” A wry smile twisted the bloodied side of his face. “You surprised me with your little sticker, I’ll admit, but I dare you to come that close to me again.”
            His face darkening, he strode toward me. One pace, two. Too fast.
            I panicked.
I ran.
            Run. Run for the forest.
            The grasses tore at my hips and thighs, whipping my arms with stinging tips. My heart gasped for blood, the cool mountain air searing into me and providing no sustenance. I wasn’t a strong runner, but I prayed to Moranu that the blow and blood loss would be enough to slow him.
            Just let me reach the forest.
            A thundering weight hit my back, throwing me down into the green cave of grass, my body shuddering with the second impact in only a few minutes. I held on to the dagger, though, striking out wildly at the man, who tried to pin me, a howl screaming out of me, something animal, feral.
            He ducked the blade and grabbed my wrist in an iron grip, holding it to the ground. I struggled to get a knee up to his man-jewels, but he pinned me under heavy thighs. With my left hand I stabbed stiff fingers for his eyes. He caught that hand, too, closing strong fingers over mine, crushing them together and pushing my hand down tight against my breast.
            I screamed. Fought.
            To no avail.
            After forever and a few minutes, plus a massive effort of will, I stilled myself. Time to rethink strategy. My thoughts, shattered into pieces, began to fit together again.
            “Finished?” the man pressing me to the ground asked. He sounded grimly amused. Probably feeling triumphant. I could use that.
            I opened the eyes I’d held squinched shut since I fell. His face loomed a hand’s width over mine, the knife cut I’d given him welling blood that smeared down his face and neck, contrasting with those fierce midnight-blue eyes. His black hair had come loose from its tie during the struggle, and now it rained down around us.
            “Let me go,” I whimpered, wriggling against him in what I hoped was an enticing way. It worked in that I managed to reposition a knee to the inside of his thigh. I’d likely get only one chance at that, but even a glancing blow might distract him long enough for me to plant the dagger in one of those blazing blue eyes.
            Like you should have done in the first place.
            His dark lips twisted in that half smile. “Nice. But you don’t play the damsel in distress all that well. And if you go for my balls, I’ll break your wrist.”
            “If you plan to rape me, you’ll have to get them out at some point—I’m sure I can find a way to injure the precious things,” I snapped back.
            He blinked at me, his face curiously still.
            “Rape?” He examined me, as if the thought hadn’t occurred to him, his gaze lingering on my lips. “Isn’t that rather prosaic?”
            “I’ve found most men are.”
            “Have you?”
            I didn’t answer. It had sounded good.
            “You mistake me, Andromeda. My plans reach farther than a bit of a tumble in the meadow, enticing as the thought might be. Our current position is simply serendipity.”
            His words chilled me in a way that the prospect of attempted rape hadn’t. Rape I could fight and likely win, if I kept my head.
            “You’ll have a hard time taking me hostage,” I sneered with deliberate contempt, “unless your pack of mutts will help you drag me off to whatever prison you have in mind.”
            The right side of his mouth lifted in a half smile, creasing the blood.
            “It’s true. I hadn’t expected this opportunity and I’m ill prepared. I hadn’t thought that—” He sighed. Amused chagrin crossed his face. “Is it too late to woo you into coming with me willingly?”
            I laughed, the sound harsh as the cawing of a crow.
            “Do I look feebleminded to you?”
            He examined me, considering. “Foolish, perhaps. Certainly overconfident. But no”—he sighed again, as if pressed by a great weight—“not likely to trust me. Yet.”
            “Trust!” I spat. “You’re the feebleminded one.”
            “Look at me, Andromeda,” he commanded, sapphire glints hypnotic in his dark eyes. “I’ve been looking for you. Don’t you recognize anything about me?”
            I couldn’t help but look. The press of his hard body, the searing heat of his skin, the eyes like midnight and twilight wrapped together—they reminded me of something. A wolf howled, lonely, my mind. The ocean surged, swirling blue depths sinking into deepest black.

            Under the waves, deep under the sea
            Sands dissolve the cicatrix of thee.
            Cobalt crabs pluck at deep-frozen lies
            Eating the corpses of what she denies.

            The images, as with the words of the song, ate at me, blurring the edges of who I knew myself to be. Salena. He’d mentioned my mother. What did that mean?
            “I’ve never seen you before in my life,” I whispered. It felt like a lie.
Was that Fiona’s nicker in the background? I seized on that. My horse, my life at Ordnung. That was true. Real.
            “No. But I thought you would know me anyway.”
            “You didn’t recognize me—you thought I was both of my sisters.”
“Did Salena teach you nothing?”
            “My mother died,” I snapped.
            “Believe me, I know. Her death caused a number of problems.”
            “I’m so sorry that the greatest tragedy in my life gave you annoyance.”
            The half smile twisted his lips. “More than you can conceive. I’ll make you a deal. Give me a kiss.”
            I didn’t reply. My dagger hand had gone numb, but a flex of my fingers reassured me I still grasped the hilt.
            “One kiss,” he repeated, “and if you still don’t want to come with me, if nothing happens, I’ll let you go.”
            Seemed like a bad bargain on his part, but I wouldn’t point that out.
            “Fine.”
            “No arguing?”
            I shrugged as best I could. “Whatever gets me closer to freedom. Either you’ll keep your word or you won’t. Either way, I’ve given up nothing of importance. And I seriously doubt your kisses are that spectacular.”
            “No?” he murmured, lowering his head. “We’ll see.”
            Mesmerized, I watched his lips descend to mine. The blood still pulsed, oozing out of the cut, fresh and bright over the dried tracks. Despite his nonchalant words, I felt the tension shimmering through him. This was the moment Ursula had described, when lust clouded their thinking.
            “Blood,” I murmured the moment before he touched me.
            “What?” His voice rumbled through me, soft, gravelly.
            “You have blood on your lips.”
            “I know. That’s the point.” With a certain grim determination, his mouth fastened on mine, though I tried to turn my head at the last moment. A bright flash of pain and I realized he’d bitten my lip.
            “Thrice-damn you!” I tore my mouth away, struggling.
            “Watch,” he ordered, holding me still.
            On his lips, the blood seemed to shimmer, then move of its own accord. A tiny bird formed, darkening from the scarlet of fresh blood to black.
            Then flew away.
            Aghast, enthralled, horrified, I watched it go, an impossible pinprick disappearing against the sky.
            “That’s impossible,” I whispered.
            The man’s joyful and triumphant smile crashed into disappointment at my words. “You really know nothing at all.”
            “Then let me up and you can explain.”
            Resigned, he nodded and moved just enough to loosen the grip on my hand.
            Not my dagger hand, but the one between us that he’d pressed to my bosom. I pushed my fist through his hand, up in a short jab to his larynx. He jerked back, howling, and his blood spattered my face, warm salt on my tongue. I pulled my dagger hand free and plunged the knife into the only target I could reach, his muscular shoulder.
            The knife stuck and I had no time to tug it free. I yanked away. He grabbed my ankle and I stomped down on his wrist with my boot and ran.
            Straight to Fiona, who waited right there, thank Moranu.
            The dogs gave chase and I couldn’t separate their excited barks from the man’s angry howls. I heard him ordering them to stand down, as if they’d understand his words.
            I scrambled onto Fiona, expecting the sharp bite of the hounds at any moment, but they only spun around my horse, sniffing and yipping. I dared to look for the man.
            He knelt in the grass, rage, pain, and blood distorting his fine-boned face, black hair a wild cape around him.
            “This isn’t over between us, Andromeda,” he punched the words at me through his pained throat. “Don’t think for a moment that you’ve escaped me. I am your fate. I have the taste of your blood now. Run now if you’re afraid, but I will come after you. I will always find you. You will be mine.”
            “Never!” I shouted at him.
            “Always.”
            It sounded like a vow.


Friday, January 10, 2014

Wisdom in Action

Action. You know the old saw. It speaks louder than words, right?

It's funny how easy it is to say, which may be some kind of irony in its own right, and how hard it is to really internalize. An example: a bad guy in a book that will never see the light of day tells the heroine he intends to kill her. He follows the words with action. In my first draft of that scene, the heroine launched into a three page dialogue with the guy, before taking a swing at him.

This made her (and me) stupid and weak, things that neither of us wanted to be.

So I rewrote it. Now, the bad guy tries to kill her and she says nothing. Instead, she snarls and tries to take the guy apart. Martial arts skillz. She has 'em. It's a much stronger scene and she's a much stronger character. Alas. That vastly improved scene couldn't rescue the rest of the book. Which may mean there's wisdom in knowing when to take action and when to hold action. Like I'm holding on to that story.

There's also wisdom in knowing *which* action to take. I shouldn't be writing a blog post. I should be melting my keyboard to finish the final chapters of a book that's due in two weeks. I hope you'll pardon the brevity of my post, but I'm going to abide by the old 'action speaks louder than words' saying, take all of my words and go fit them to action in the final battle scene.

Thursday, January 9, 2014

Actions Speak Louder Than Words

by Allison Pang

So here's the thing. Years ago I took a workshop that spent time on writing action scenes. Eventually it became a jargony task of beats and breaks and a bunch of other stuff that I pretty much tuned out since I don't write that way. One of the main things I took away was that one should never put your characters to bed - they should always be moving forward, and thus, moving the story forward.

Snap. Snap. Snap.

But personally, I find that sort of thing exhausting - both reading it, and writing it. When there's no pause in the action at all, it can become tiresome. I'm thinking back to some of those fight/battle scenes of some of the classic high fantasy tomes I devoured in my youth - pages upon pages of the valiant hero snicker-snacking his blade through hordes of enemies, or a duel that feels like it lasts for hours. (And the paragraphs slowly devolve into "And then he did x. And then he did y. Suddenly, he rolled and did a. And b. And c.")

In reality, most fights between people are pretty short and usually end up on the ground sooner rather than later - but obviously every character is different. If the hero is a preternatural being with crazy stamina, I get it - but otherwise, I sometimes find it hard to suspend disbelief when a character has been living rough for days in the woods, only to stumble across the enemy and battle them all with nary a bit of winded breathing.

That doesn't mean I don't like action in my media. Of course I do - but there are times when some scenes drag on for so much longer than they probably should. And there are a few different lines of thought on this - some writers will say that each chapter should end with a hook, something that makes the reader want to keep going. On the other hand, I've seen some readers mention they like it when chapters end with a pause - because that way they can put the book down and go make dinner without feeling like they're being interrupted.

Depends on the book, I suppose. I tend to do a little of both - some chapters need a hook. Some chapters I look at my characters and think...sheesh. They could probably use a little break. I'm gonna tuck them into bed for a few.

(I suspect sometimes this is because I myself was tired when I wrote the scene. Yes. Bed. Bed is good. Bed for everyone. The end.)

I suppose it comes down to the same thing as everything else when you're writing. Does it need to be there? If not, it's time to pare that action down a little.

I leave you with this uncut version of The Bride fighting off The Crazy 88 from Kill Bill. (The theatrical version was a bit shorter, and in black and white due to the gore factor.) But watch it...and then imagine actually writing a scene like this out in a book. While I love me some Kill Bill and its obvious homage to action films everywhere, even watching a scene like this can become boring after a while. Reading it? No thanks.

Wednesday, January 8, 2014

DEMANDING ACTION

“The Universe doesn’t give you what you ask for with your thoughts – it gives you what you demand with your actions.” -Steve Maraboli
In an effort to give you a few tools to arm yourself for the task of that demand, I give you excerpts from and links to 3 different action-taking self-help type spots. 


With respect to goals, projects, and other to-do items, it’s easy to get stuck too long in the thinking and planning phase.  You can sit around writing and rewriting your goals, delving into your subconscious mind, working through emotional blocks, summoning the power of Thor… whatever.  

But if you don’t eventually get into action, you’re wasting your time.

How can you get into a sustainable mode of direct action without feeling like you have to torture yourself to get moving?  What can you do to cross the barrier between merely thinking about what you want and actually making it happen with your own two hands?

Here’s a simple technique I use.  This has worked very well for me when I’ve applied it.  It usually takes only 5-10 minutes.

     (Click the link above to see the whole post including the techniques.)
-----------------------

People at the top of every profession share one quality — they get things done. This ability supercedes intelligence, talent, and connections in determining the size of your salary and the speed of your advancement.

Despite the simplicity of this concept there is a perpetual shortage of people who excel at getting results. The action habit — the habit of putting ideas into action now — is essential to getting things done. Here are 7 ways you can grow the action habit:

(Click the link above to see more…)
-------------------------

"If you pay attention, you learn something from taking a smart step. More often than not, it gets you close to what you want."
This is an excerpt from Just Start: Take Action, Embrace Uncertainty, Create the Future. Note that "Creaction" is a word the authors made up by combining "creation" with "action."

What exactly is Creaction? Well, to start, it is based on acting and creating evidence, as contrasted with thinking and analysis.

Here’s one way to think about that pivotal difference. A dancer dances. Substituting thinking for dancing doesn’t work. If all you do is think, you end up just thinking about dancing. There is nothing to show for that thought.

Thinking is often a part of creating, but without action, nothing is created. This is true for even very intellectual, cerebral fields. For a task to be considered creating, you must publish, teach, or whatever. Daydreaming by itself is not creating.

How does Creaction play out in practice? How does it help us deal with uncertainty? The process has three parts, which repeat until you have reached your goal or decide you no longer want to. 

(Again, click the link above to learn more.)
------------------
As a bonus, dear readers, I'm sharing one of my favorite 80's hair metal videos, about action, albeit a different kind of action. It was the 80s afterall.





Tuesday, January 7, 2014

The Action Beyond The Closed Door


I've spent the better part of my holidays with the #weeniece and #snotapods. I foolishly assumed winter -- and all its highly communicable plagues -- was responsible for the endless moist effluvia and mucus. Silly me. Nothing will induce a tidal wave of snot and tears faster than ...

Missing all the action.

The #weeniece is of an age where her most earnest desire is to be the actor -- in all its definitions.  Endless refrains of "Look at me, look at me," and "I want to show you something," inevitably result in a performance of caterwauling or convulsive dancing. After all, it's not about the quality of the action, it is about the attention. At this charming time in her life, there is no attention more satisfying than having the audience participate in her highly questionable deeds. Alas, I am old and slothful. My warbling and rump-shaking ends rather quickly with something popping or pulling. The #weeniece's performances end with the blissful parental bark, "Time for bed."

Let the waterworks begin...

The #snotapods look on from their gladiators' pen, chattering and chirring the unintelligible answers to cold fusion and the cures for all cancers. When the #weeniece disappears from the stage, they assume the mantle. Attempts to stand, to walk, to talk, or to play well together are met with grand applause from their audience.  Adults gracefully dodge the rolling wheels of the possessed plastic shopping cart. We catch hollow balls fired from a Fisher Price cannon. We laugh into our sleeves when they reenact squabbles from our childhoods. Yet, woe betide those who turn their back on the smallest entertainers.  Pudgy fingers grip the cage rails. Whines becomes wails. "Attica! Attica!"

"Sounds like somebody needs a nap," my sister coos. The #snotapods, unable to comprehend our monkey language, light up with great joy as they are swept into the arms of loving adults and carried away ... to bed. Dreaded bed. Cribs with high walls over which they can barely see. A dark room filled with the dulcet music of Mozart and Ronan Tynan. A room in which there is no audience, save each other. Beyond that infernal door they are certain, completely convinced, that the adults are traveling to the planet of teddy bears where warm bottles grow on trees. They bawl objections and kick their consternation. The #snotapods are convinced they are missing everything as we adults act up and act out.

All the action happens beyond the closed door.

They're not entirely wrong, of course. There are bottles. There is acting. Mostly, there is the deep slumber of the utterly exhausted.

Sunday, January 5, 2014

Taking Action - on Anything at All

Welcome to 2014 with the Word Whores!

Yes, yes - it's January 5 already. But, by the Word Whore Topic Calendar, managed by the nubile, nimble and nitpicky Kristine Krantz, we are launching a fresh new year. With that comes a slight change in the way we handle topics. At Kristine's suggestion, we're going with single words to riff upon. She snuck into our posts about favorite and hated words (like mine here), shuffled them about, did the Hokey-Pokey, and put them in our calendar.

In roughly alphabetical order.

This should be fun.

The word of the week??

(I know you're breathlessly scrolling down...)

ACTION.

Now, some of you may know that I'm into Oriental philosophy and medicine. If I claim a religion, it's Taoism (which is a philosophy, not a religion, but that's neither here nor there) and the man, David, is a Doctor of Oriental Medicine. That's him above, looking very handsome with me at our son's New Year's Eve wedding. The spiritual philosophy intertwines with the physical in dealing with health issues.

Many years ago. So many that I hesitate to count, but it had to be early- to mid-90s. I was not yet 30 and yet I had not been feeling good. For a couple of winters I'd been plagued with illnesses. I also had a knee injury and a bronchial infection that came close to killing me. I seemed to be caught in a cycle of sickness and depression, one feeding into the other.

An acupuncturist treating me explained that I had a great deal of stagnant energy, which pretty much matched how I felt. In assessing the imbalance of my organs, he suggested that I needed to take action on something in my life. The Chinese view depression as a kind of stagnation, particularly in the liver and gall bladder. (Think energetics, not organs.) He asked if there was something I'd been wanting to do that I hadn't taken action on.

Oh.

All those grand ideas about being a writer! Except.... I wasn't really writing.

So, I got serious about it, though it was the last thing I felt like doing, since I felt like crap most of the time. I made myself write. I finally took all that good advice I'd been hearing and I tried to write every day. When that didn't happen on too many days, I retrained my night-owl self to become a morning person. (Kind of.) I got up early and made sure to write SOME every damn day, no matter how groggy or surly I became due to the early hours.

Eventually, I got better at it.

It was not like being overfat, terribly unfit and starting an exercise program. Believe me, I've been there, too. It took a good six months before I didn't actively hate what I was doing to myself. It probably took at least a year before I started to like it.

But it happened.

And I developed a body of work. I improved in my craft. Publishers bought my essays and stories. Over time, that stagnant energy cleared out and flowed into writing.

Best action I ever took.

I'm not saying that everyone should be a writer, by any stretch. I am saying that, if there's something you want to do and you haven't set it in motion - do it. Do something, anything, towards it today. Then tomorrow do another thing. Every day, take a step. This is why the Taoists say "The journey of a thousand miles begins with a single step." What people leave out is that you have to keep taking the steps. Every day, more steps.

I look back now, something like twenty years later, at all the miles I've traveled. All of it goes back to that decision to take action.

See you on the road!