Showing posts with label The Mark of the Tala. Show all posts
Showing posts with label The Mark of the Tala. Show all posts

Sunday, May 8, 2016

Why I Like Being Hybrid

Happy Mother's Day to everyone, whether your mom was good or terrible, still with you or not, and whether anyone's ever acknowledged your own mothering. Special love and gratitude to both my own mother - the blonde in our family photo there - and to my second mother, my aunt sitting next to her. I'm blessed to have you in my life!

Secondly, we have a winner in the WORD WHORES REBRANDING BAKEOFF! Okay, no pastry items were involved (more's the pity), but we sorted through name suggestions from numerous sources and voted on our favorite.

The new name?? THE SFF SEVEN.

I like it a whole bunch! The change will kick in next Sunday, May 15. We'll keep you apprised!

In the meanwhile, we have seven winners! People who kindly brainstormed name ideas are:

Sullivan McPig
Stacy McKitrick
JanetLee
Heather
Kevin Reitz
B.E. Sanderson
Lynne Facer

You get to pick any book from any of the SFF Seven! Comment here to let us know the book and format preferred, along with a way to privately contact you to send it. Thank you, everyone, for playing!

In other news, to celebrate the upcoming release of THE PAGES OF THE MIND (and the concurrent release of THE CROWN OF THE QUEEN), Book One of the entire series, THE MARK OF THE TALA, is on sale for only $2.99. If you've been thinking about getting caught up on the series, now's a great time to get started!

Amusingly (or not, really) I saw a customer review somewhere that said they'd bought the book at the sale price, but then "the author raised the ebook price to $9.99 for the subsequent books." So, yeah, I know that MY PUBLISHER, Kensington, has the standard ebook price set at $9.99, which is a lot for the current market. I can't do anything about that. That's a drawback of traditional publishing - which is having a publisher, like mine in New York City - that was established before newer publishing models, and focuses on print book production, distribution and sales.

It's kind of interesting to me that self-publishing has become so well-established and prevalent these days that readers assume the authors set prices. But I also understand that these things are not transparent to the average reader. 

This week, we'll all be discussing the different forms of publication and which work best for us. We've got a variety of publishing paths in this group, so there should be a nice variety in the discussions. 

For my part, I consider myself to be hybrid at this point - which means I have books both with my traditional publishers and that I self-publish. I'm ever so grateful that I have the option to do both. A lot of authors who've been successful in the traditional publishing model had difficulties with the drawbacks there - price-setting, yes, but also long lead times, corporate politics, books going out of print, never to be resurrected, etc. With self-publishing so much more accessible and acceptable these days - and here I'd like to tip my hat to the intrepid writers who truly blazed this trail and made it so smooth and even for later-adopters like me - being a hybrid writer makes a great deal of sense to me. 

There are a lot of things I do like about traditional publishing, and I'm forever glad I both took that path and had the opportunity to do so. That's something important to remember - many authors who self-publish took that path because the doors to traditional publishing remained firmly closed to them, for a variety of reasons. For them, it wasn't a "choice" so much as the most viable alternative.

Similarly, however, authors who did take the traditional path are not stupid. And I feel I have to say this because I've been told to my face by more than one person that I'm stupid for going with traditional publishing instead of self-publishing, where I could have more control and make more money. I have many good reasons for making the decisions I did. One of them is that money isn't everything. It's not even the most important thing. 

Also, we decisions we do for complex reasons, many of them in the privacy of our hearts and minds. Chuck Wendig once said that, when people criticize him for going with traditional publishing when he could be making more money self-publishing, he feels like they're saying he should have married someone other than his wife.

I asked him if I could quote him here on that because that's a perfect analogy of how it feels. Nobody else can make these choices for us, these powerful decisions that affect the course of our lives. Second-guessing those choice, particularly by someone who hasn't been inside our skulls, hasn't walked in the quiet of our hearts, is simply inappropriate.

So, this week, as you hear each of our seven weigh in on the various publishing paths, keep that in mind. The kind of publishing that will work best for you is the one that works for YOU. Educate yourself. Weigh the options. But choose according to your heart, mind and gut - not someone else's.

After all - you'll be the one married to your decisions. 

Sunday, January 17, 2016

Five Things I'd Tell My Newbie Writer Self

This is our neighborhood roadrunner. She comes by fairly frequently and checks things out. Not easy to get a good pic of her either! This isn't the best shot I got (too much background, not *quite* in focus), but I love how it captures her purposeful stride.

Speaking of purposeful, our theme this week is: What I wish I knew when I started writing. 

So. Many. Things.

But, as with a lot of life, I think we learn things when we need to. Sometimes we're simply not ready to absorb a lesson that's staring us in the face. Everything below I heard many times over the years. All of them didn't sink in until much, much later.

Like, yesterday, even.

Still, if I could go back to my twenty-something self, on the day Past-Jeffe decided to be a writer, this is what I'd tell her. Even knowing full well she won't really understand.

1. Agents are just people.

Frequently they are crazy people. When they tell you that they didn't love the book enough to represent it, they really mean that. These are people who fall in love with books. They work on commission, which means the younger ones (the ones who will actually consider your query) are living on ramen, handouts from their parents, and love. Not people love, book love. They really do want to love your book, but if they don't.... well, it's not you, it's them. When you find the agents who do love your books - and actually they'll find you - they'll do great things for you. You waited to find true love in life. Wait for this, too. It will be worth it.

2. Having a regular writing ritual will make all the difference.

You're going to fight this, Jeffe, for far too many years. Yes, I know you're crazy busy. I know that a lot of the time you don't know what to write and often feel a creeping dread about sitting down to write. It's crazy making because you really WANT to write, so why do you hate the idea of doing it? Don't worry, this is totally normal. The only way around it is to write anyway. All those people advising you to prioritize writing, to try to do it every day at the same time? They're right. Things won't really kick into gear for you until you do this.

3. It will take a long time before you can make a living at it.

I know you think you know this - but you're young. You think a long time is maybe three years. It's going to be a lot longer than that. And that will be okay, because you need that time. Over the years, you'll learn many skills from your day jobs that aren't being a writer. You'll learn to juggle projects, to manage deadlines, to work with difficult people. All of this experience will be useful.

4. Your writer friends will be your salvation.

Ultimately these are the people who will help you the most. Yes, they will come and go and you'll mourn the loss of the ones who drift away. It's a tough business and jealousy can take its toll. But those friendships will sustain you along what can be a difficult journey. There are things only your writer friends will truly understand. The ones who stick with you will be the most generous, supportive and encouraging people you'll know.

5. Despite the rejections, set-backs and many tears (and there will be a lot of all of these things), you will never regret this decision. 

Seriously. Every time you wonder if this is the right decision, know this. Being a writer is every bit as wonderful and amazing as you hope it will be. Even with the many uncertainties, it will feed your soul as nothing else ever has.

Hmm. I've kind of choked myself up here.

Anyone else have things they'd tell their younger self, if they could?

Also, if you haven't yet read THE MARK OF THE TALA, it's on sale at Amazon for only $2.51. Great time to pick up a copy!







Sunday, July 12, 2015

Do Book Trailers Work?




Amusingly enough, this week's topic might again fall to Veronica, as the most experienced with the topic - Book Trailers: Yes or No?

I have exactly two book trailers - both that other people made for me. One my friend made as a gift, above, for ROGUE'S PAWN, the first in my Covenant of Thorns trilogy. And the other I paid a reader/fan to do, below, for THE MARK OF THE TALA, first in my Twelve Kingdoms series. I like them fine. They're fun. Do they work?

Meh. I dunno.

The idea is that they should work like a movie trailer, to generate excitement for the book. The problem is that movie trailers are, obviously, assembled from actual clips from the movie itself. For a book, the images must be created. Depending on budget, the images can be video or still. (Mine are the more cheapie option, of a series of still images, which I don't think is as effective. Even if you cough up for video, we all know that the movie is just NEVER as good as the book. That's with multi-million-dollar budgeting and doing the whole book.

All that said... can a short trailer capture the essence of a book? Probably not.

Can it get far enough to entice a reader? Maybe.

But, so far, my experience says it's not worth the money.



Oh! And my new contemporary erotic romance comes out tomorrow! 

Under Contract

The kinkier the sex, the higher the price tag…
Ryan Black has admired Celestina Sala from afar for years, her lush body and sensual nature calling to the dominant in him. For just as many years, Celestina was off-limits—married, proud and self-sufficient. But all that has changed, and now Celestina is in debt and in need…and available. Ryan proposes a contract: he’ll pay off her debt if she gives herself to him in bed, yielding control in exchange for the pain and pleasure he’ll bring them both.
There are words for women who take money for sex, and none of them are nice ones. Celestina never thought she’d have to sink this low, but giving up control sounds more enticing than ever before. And suddenly it’s not about having to give in to Ryan. It’s about wanting to.
But when Ryan’s dark past comes to light, they may both be in over their heads. The terms of his contract say her body is his…but her heart may be another story.
One thing is for sure—now that Ryan has Celestina, he can never let her go.

Available July 13, 2015

 


Sunday, July 5, 2015

The Pleasures and Perils of Audiobooks

To audiobook or not to audiobook...

What was the question again?

 I mean, this topic could be do we listen to them or do we like to have the books we write in audiobook format?

My answer to both: YES!

(By the way, the awesome pic above is my superheroine alter ego, provided to me by sister Word Whore, Linda Robertson. Isn't it PERFECT?)

Okay, back to the topic at hand. I love listening to audiobooks. They make doing housework actually pleasurable. I'm always looking for more opportunities to fit in reading time, so being able to listen to a book while I take care of necessary chores is awesome.

I also love that my books are sometimes converted to audiobook format. I wish they all were! So far, of the eighteen books I have out (as of July 13, with the release of my latest erotic romance UNDER CONTRACT), five are available in audio format. I particularly love the cover they made specially for the audio version of THE MARK OF THE TALA. Because I'm working primarily with traditional publishing, whether to produce an audio version of my books is not up to me. I've never gone that way with any of my self-published books, but I'm considering it. At a signing for the THE TALON OF THE HAWK, a faithful reader asked if there were plans to put the other Twelve Kingdoms books in audio. She's already read them all, but she likes to listen to her favorites while walking. I had to tell her "not yet," which is all my publisher will tell me. If they don't do it, I might see if I can get the rights to do it on my own.

One thing I notice about my audiobooks, however, is that reader ratings are significantly lower for them than other formats - by pretty much an entire star. I think this is related to the impact the narrator has on the experience. Jen Twimom has a great series on her review blog called Listen Up! where she specifically reviews audiobooks. She tries to split out the story from the narration, which I appreciate. The biggest error in all of my audiobooks - which makes me cringe every time I think about it - is with RUBY. My New Orleans chef hero calls the heroine "chère," which is a common endearment in that region. But it's pronounced like "share," and the freaking narrator pronounced them all as "sharee." Which is French (though it would be spelled "cherie"), NOT New Orleans.

Alas. So it goes.

What do you all think? Do you like audiobooks? Any cringeworthy tales to tell?

Sunday, April 12, 2015

Three Ways to Add an Important Character: the Environment

When I first nursed the fragile and unlikely idea of becoming a writer, I took a class called "Essays on Self and Place." It was taught by a visiting writer at the university where I was a grad student in Neurophysiology. In other words, I felt both brave and... I'm trying to think of the right description. Not afraid so much as kind of a fraud. I didn't have any good reason to think I could make a career as a writer instead of as a scientist, as I'd planned and invested in. And I felt like every-other person I mentioned the idea to replied that, oh yes, they wanted to be a writer, too!

It's a difficult transition to make, so to all of you out there contemplating taking that step, I get it.

At any rate, I took that class with that writer mostly because of timing. I wanted to get going on seeing if I could be a writer, the evening class fit my schedule, was open to people outside the department and degree program - and sounded interesting. So much serendipity smiled on that choice.

I think I've always been strongly connected to my environment. My interest in science grew out of a love for the natural world. Where I live is vitally important to me - so much so that it took me a long time to get that not everyone felt the same way. This course, where we focused on writing about our connections to place and how they shaped us, crystallized that for me. My first published works - essays, naturally - came out of that class. Amazingly fast, too, which came as incredibly important validation for that step.

Though I've moved into writing fiction now, place still plays a vital role in my work. Sometimes deliberately - the City of New Orleans is pretty much another character in Ruby, something many readers love about that story - but place also plays a role in the world-building in my fantasy books too. At a booksigning, a reader asked me about my academic background and when I explained my crooked path from biology to fiction-writing, he nodded and said that explained so much about why my Twelve Kingdoms environment feels so intricate and real.

Which is terribly cool!

So, how to make the environment be a character? Here are three ways to start:

Pick a Place

This might seem like a no-brainer, but the place in which a story occurs is a vitally important decision. It should be more than whether this is a city or the country. If a city, how old is it? What kind of people live there? Is it coastal or land-locked? Think about how the humidity rises and falls, what kinds of storms the area experiences (see below). Even in city environments, there is wildlife, if only rats and pigeons. In rural areas, other kinds of animals might come in, particularly if looking for food because of other forces of nature like drought or a bad winter. The more detail of this sort (which doesn't all have to be on the page, see this post), the more vivid the place will be.

Know the Weather

The weather should be more than the cliché dark and stormy night. Place is profoundly impacted by how variable or steady the weather is. Is it usually cloudy and rainy like the Pacific Northwest? Is it a sunny desert? How does the changing weather - or lack of change - affect the moods of the people living there? In The Mark of the Tala and The Tears of the Rose, some of the action takes place at Windroven, a castle built on a dormant volcano on the coast. The storms and tides of that place play a role in what happens - for example, in a siege situation.

Be Aware of the Sun(s) and Moon(s)

The length of the day and night can affect what the characters can and can't do. Beyond what season it is, be aware of how early or late the sun rises and sets. What is the moon cycle? If not on earth, how do perhaps multiple moonrises affect the amount of light? A night with a full moon is very different than one with at the dark of the moon. Are the sunsets spectacular or always behind wall of fog? These things can be backdrops for scenes that help set the mood and influence the characters decisions.

Obviously this is a big topic, but there's some places to start. What details about place do you like to see in books? What's an example of a book you love where the environment feels like another character?

Sunday, September 7, 2014

Tracking Sales Without Losing Your Mind

by @JeffeKennedy

This week's topic - Tracking Sales: Do You Do It and How? - is apropos as I have a book release tomorrow. Yes, Rogue's Paradise, the third book in the Covenant of Thorns series, comes out Monday, September 8!

A book release day can be so fraught. It's the final goodbye to the book in many ways - like sending your kid off to college or waving farewell on their wedding day. You're full of hopes and dreams for them and also teeming with nervous dread that something awful will happen. With a book, of course, a huge part of this is WILL IT SELL?

It's the inescapable metric, particularly for those of us who are not independently wealthy and are trying to make a self-supporting career of writing. At the same time, tracking sales feels - to me - like focusing on the wrong thing.

I've been having this ongoing conversation lately with my friend, Anne Calhoun. About making career decisions and what our goals as writers really are. Both of us agree that, if it were all about making money for us, we'd be stockbrokers. There are easier ways to make a lot of money. Last week on Word Whores, too, I talked about valuing personal happiness and how I work towards that. Part of that for me is not focusing too hard on sales.

So the answer to the first part of the question is, I don't track very closely. I don't try for real time much at all. Sometimes I see my Amazon ranking if someone points me there, and that's because it's good news. Really, I only want to see the happy-making stuff. Like when a bunch of tweets alerted me to Rogue's Pawn, book one in the Covenant of Thorns series, making #2 in Fantasy Romance on Amazon. After Dean Koontz, well-known Fantasy Romance author. *cough*

I sometimes look at the Amazon rankings for book one in my Twelve Kingdoms series, The Mark of the Tala, because I continue to be bemused - and pleasantly surprised - by how high the rankings are. There are a lot of people out there who perform the dubious alchemy of translating Almighty Amazon's sales rankings to copies sold and dollars generated, but I am not one.

That said, I *am* the Spreadsheet Queen. I do track my sales there, both by book and overall totals. I have charts that show which venues sell the most of each book and that track my sales by month (where I have that much detail - some of my royalties are reported quarterly or longer) for copies sold and my revenue. It's gotten more complicated now that the statements are funneled through my agency as well, but I input all the data. The most interesting metric is one I set up that calculates the total amount of money a book has earned for me divided by the number of days elapsed since its release. This gives me essentially a "dollars per day" metric. This ranges from, as of this posting, $100/day for a book I received an advance for (which complicates things), to $4/day real time sales for my longest-published book, to $0.09/day for my poorest performer. I like that way of parsing things, because it gives me a more objective sense of which books earn the best.

But I still love each and every one. I cry at all their weddings and graduations.

Sunday, August 17, 2014

Upping the Tension in a Fight with Dialogue

by @Jeffe Kennedy

I'm a talky kind of gal, at least in fiction. I tend to be quiet in company, unless you get me going on a particular rant. But writing-wise, I love dialogue. The interplay of ideas, witty repartee, teasing, suggestion, learning, knowing - so many wonderful layers to explore in the interactions between people (or creatures). Talking can be a profound kind of intercourse.

Much like sex. Or fighting.

When interviewers ask me for facts no one knows about me - which is always hard to answer, because usually there's a reason it's not public information - I sometimes offer up this relatively little known piece of my history.

I studied martial arts for about fifteen years. Chinese ones - Shaolin Temple Boxing, T'ai Chi, Pakua, Hsing-I, among others.

That's me above, doing a public demo of how to use a common object, in this case an umbrella, to surprise and deflect an attacker - with a nice little snap kick to the jewels to seal the deal.

I drew on this experience to write one of the opening scenes from The Mark of the Tala, where my princess heroine, Andi, is attacked in the wilderness. Because this is more than just a fight, but also the incident that spurs her personal journey and her first encounter with the man who plays a pivotal role, the dialogue between them is as crucial - maybe more so - than the physical fight. I use it here to build tension, much as Andi uses it to stall, trying to think her way out of the situation. The man also uses the conversation, to keep her engaged, to discover exactly who she is and also to sway her judgement.

It's a favorite scene of mine, so I'll paste it in below. It begins when Andi and her horse take a hard fall.

Cheers!

***


            Then Fiona screamed.
            I heard it after we were already falling. I fell with her, tumbling to the grass—not soft, but brutally hard under the bright dressing. Fiona’s great supple weight rolled over me, crushing my breath. Long practice had me kicking free, so her ungainly lunging to right herself left me behind, grateful not to be dragged by my foot as she galloped out of sight.
            My lungs struggled against paralysis, grasping at the bits of air they could drag in. Knife-like pangs shot through my muscles. The image in my head throbbed with stark shock.
A man, standing there with a pack of dogs, in the fold of a wallow. Hounds bigger than wolves. No wonder Fiona had shied and lost her footing.
They would be on me in a moment.
            A man with dogs where they shouldn’t be was never a good thing. As far as I’d gone, I was surely still in Mohraya, where Uorsin owned all hunting rights. And my sword still strapped to the saddle, racing off to nowhere. Only my little dagger remained, in the sheath on my belt. If I survived this, Ursula would kill me.
            The hissing grasses as he strode toward me sent panic through my veins. Gasping, forcing my rib cage to flex, I struggled to my hands and knees.
            “Should you move just yet?” inquired a low voice.
            The air burned like fire. I looked up through the dark tangle of my hair. He stood a short distance away, black leathers, black cloak. Seven wolfhounds ringed him, sitting on their haunches, an avid audience with uncannily blue eyes.
            “I’m fine,” I managed to say evenly, thinking of the times Ursula had knocked me with the flat of her blade and taunted me until I stood. Of course, she hadn’t done that in some time, since it took me so long to get up again. “You startled my horse.”
            And you shouldn’t be on King’s Land.
            I didn’t dare say that, though. Because I shouldn’t be on King’s Land either, unless I came from the royal family, and he didn’t need to know I was Uorsin’s relation.
            “Yes,” the man agreed, dark eyes steady. “Do you need assistance standing?”
            Definitely not. The man shared the lean, hungry, and lethal look of the wolfhounds, even with his careful distance. I wiggled my knees and ankles. They felt okay. Hopefully nothing was so damaged as to make me stagger when I stood. The cold congealing in my stomach told me I couldn’t afford to appear at all weak.
            I stood, slowly, brushing grass off my riding pants as I unfolded, to give myself time to test my weight. Nothing gave way, thank Moranu.
            “I’m fine,” I repeated, returning his assessing stare, deliberately slowing my heaving lungs.
            One of the wolfhounds sniffed the air in my direction, raising its russet ears. It growled softly. A hushed word from the man settled it.
            “Not often one finds a princess unattended in the wilderness,” the man observed, as if commenting on the weather, but his face burned with an unholy, acquisitive light.
            I scoffed. “I wish! I imagine those royal brats have soft lives of silks and candies. No, I’m only hunting rabbits for my family.”
            He took a step toward me, flattening his hand to signal the dogs to stay. I steeled myself not to step back. Predators always became more dangerous when presented with a chase. Two horse lengths between us still gave me room. To do what, I didn’t know. I could never outrun those hounds.
            “Lies don’t become you, Princess.” His gaze drilled into me, evaluating, calculating. “Now, which one are you? Not Ursula the heir, I don’t think. Rumor says she looks more like a man than a woman.”
            “No closer,” I commanded.
            “Or what, Princess Amelia—you’ll scream?” He held out questioning hands to the empty sky, but he stopped closing on me.
            “I’m not Amelia,” I said on reflex. Idiot. I closed my hand over the hilt of my dagger and drew it. “And I was thinking more of using this.”
            He smiled, eyes glittering. A breeze wormed through the meadow, sending a wave through the grasses and lifting a strand of his long black hair, tied in a tail at the nape of his neck. He took another step closer and stopped, watching me to see what I’d do.
            “You’d have to get quite close to me to use that,” he purred. “Are you certain that’s wise?” He flicked long fingers, and the wolfhounds stood to attention, ears and tails high, surging around him in an eager sea.
            “What will happen is that you’ll go your way and I’ll go mine.”
            He took another step. One horse length.
            “Even if I hadn’t recognized Salena’s look about you, I’d have known you for one of Uorsin’s by the way you give orders. I am not, however, one of your subjects.”
            At the sound of my mother’s name, I lost the little breath I’d gained. The name no one spoke. This wasn’t bad. This was catastrophic.
            “Who are you, then?” I gritted out, my thighs tensing. One more step and I’d be within his reach. His looked to be a good six inches longer than mine. I was outmatched in every way. I’d have to get inside and do damage quickly, before he could inflict any on me. “Besides a bully and a trespasser.”
            He raised a defined eyebrow at my words, taking a half step. Barely outside the boundary where I’d have to act, which he had to know. He moved like a warrior and used the pressure to discomfit me. He stared me down, the hounds shifting restlessly behind him. From this close I could see his eyes weren’t black at all, but very dark blue.
            “Is that how you name me?”
            “Care to argue the points?”
            “If you’re not Ursula and not Amelia, then you’re the other one.”
            “Flawless logic.”
            He grinned unexpectedly, a flash of white teeth unsettlingly like his hounds’.
            “What shall I do, then, with this amazing piece of serendipity, Princess Andromeda?”
            “The wise trespasser would let me leave in peace. The foolish bully might find himself gutted like a pig.”
            He shifted, leaning his body a hair closer. I sank into my feet, shifting my weight into my back leg, which gave me a bit of space and made me ready to spring. Big men seldom expected a smaller opponent to jump in close, but it was the only choice for someone like me, who couldn’t afford to stay at the devastating perimeter of a larger opponent’s weapon. I kept my gaze on the center of his chest, where any movement would start.
            “Ah. Or, since I am already judged and condemned, perhaps I’ll trespass just a bit more for my trouble. If this is the opportunity I think it is, we can’t afford to waste it.”
            Don’t think. Watch for the window of opportunity.
            His hand snapped out to grab me—Moranu, he was fast—but I confused him by moving in. Men always try to grab, Ursula’s voice reminded me. It gives you time to strike if you keep your head.
            Using my momentum and holding the knife pointed down in my fist so the power of my shoulder drove it, I sliced the blade across his cheek, whipped the arc around into a circle, and slammed the hilt against his temple. My sleeve tore in his grip as I sprang away, and he dropped to his knees, clutching his face, bright blood sliding through his fingers.
            The dogs ringed him, anxious, forming a suspicious guard. I backed away, reestablishing distance. Careful to test my footing. Don’t you dare trip, or those dogs will be on you in a flash. I’d never be able to fight them off.
            The man was woozy from the blow. Ursula would have knocked him unconscious. His dark eyes found me, blazing.
            “Point to you, Andromeda.”
            “This isn’t a game.” I kept stepping back. My arm stung. “I’m leaving. Keep your dogs to you or I’ll kill them.”
            “Brave words.” He climbed to his feet, unsteady, but intention coiled through him. “But you’ve only made the test easier.”
Blood laced down his cheek and over his throat. Three horse lengths. Where was Fiona? I’d trained her to return to me if I got unseated. If I survived this, I’d have to teach her to come to me even if there were wolfhounds involved.
“Now that I have you, I cannot let you go until I know for sure if you have the mark.”
            I pointed the knife at him. “You do not have me. And you never will.”
            “Ah, lovely Andromeda—I think you’re mistaken in that.” A wry smile twisted the bloodied side of his face. “You surprised me with your little sticker, I’ll admit, but I dare you to come that close to me again.”
            His face darkening, he strode toward me. One pace, two. Too fast.
            I panicked.
I ran.
            Run. Run for the forest.
            The grasses tore at my hips and thighs, whipping my arms with stinging tips. My heart gasped for blood, the cool mountain air searing into me and providing no sustenance. I wasn’t a strong runner, but I prayed to Moranu that the blow and blood loss would be enough to slow him.
            Just let me reach the forest.
            A thundering weight hit my back, throwing me down into the green cave of grass, my body shuddering with the second impact in only a few minutes. I held on to the dagger, though, striking out wildly at the man, who tried to pin me, a howl screaming out of me, something animal, feral.
            He ducked the blade and grabbed my wrist in an iron grip, holding it to the ground. I struggled to get a knee up to his man-jewels, but he pinned me under heavy thighs. With my left hand I stabbed stiff fingers for his eyes. He caught that hand, too, closing strong fingers over mine, crushing them together and pushing my hand down tight against my breast.
            I screamed. Fought.
            To no avail.
            After forever and a few minutes, plus a massive effort of will, I stilled myself. Time to rethink strategy. My thoughts, shattered into pieces, began to fit together again.
            “Finished?” the man pressing me to the ground asked. He sounded grimly amused. Probably feeling triumphant. I could use that.
            I opened the eyes I’d held squinched shut since I fell. His face loomed a hand’s width over mine, the knife cut I’d given him welling blood that smeared down his face and neck, contrasting with those fierce midnight-blue eyes. His black hair had come loose from its tie during the struggle, and now it rained down around us.
            “Let me go,” I whimpered, wriggling against him in what I hoped was an enticing way. It worked in that I managed to reposition a knee to the inside of his thigh. I’d likely get only one chance at that, but even a glancing blow might distract him long enough for me to plant the dagger in one of those blazing blue eyes.
            Like you should have done in the first place.
            His dark lips twisted in that half smile. “Nice. But you don’t play the damsel in distress all that well. And if you go for my balls, I’ll break your wrist.”
            “If you plan to rape me, you’ll have to get them out at some point—I’m sure I can find a way to injure the precious things,” I snapped back.
            He blinked at me, his face curiously still.
            “Rape?” He examined me, as if the thought hadn’t occurred to him, his gaze lingering on my lips. “Isn’t that rather prosaic?”
            “I’ve found most men are.”
            “Have you?”
            I didn’t answer. It had sounded good.
            “You mistake me, Andromeda. My plans reach farther than a bit of a tumble in the meadow, enticing as the thought might be. Our current position is simply serendipity.”
            His words chilled me in a way that the prospect of attempted rape hadn’t. Rape I could fight and likely win, if I kept my head.
            “You’ll have a hard time taking me hostage,” I sneered with deliberate contempt, “unless your pack of mutts will help you drag me off to whatever prison you have in mind.”
            The right side of his mouth lifted in a half smile, creasing the blood.
            “It’s true. I hadn’t expected this opportunity and I’m ill prepared. I hadn’t thought that—” He sighed. Amused chagrin crossed his face. “Is it too late to woo you into coming with me willingly?”
            I laughed, the sound harsh as the cawing of a crow.
            “Do I look feebleminded to you?”
            He examined me, considering. “Foolish, perhaps. Certainly overconfident. But no”—he sighed again, as if pressed by a great weight—“not likely to trust me. Yet.”
            “Trust!” I spat. “You’re the feebleminded one.”
            “Look at me, Andromeda,” he commanded, sapphire glints hypnotic in his dark eyes. “I’ve been looking for you. Don’t you recognize anything about me?”
            I couldn’t help but look. The press of his hard body, the searing heat of his skin, the eyes like midnight and twilight wrapped together—they reminded me of something. A wolf howled, lonely, my mind. The ocean surged, swirling blue depths sinking into deepest black.

            Under the waves, deep under the sea
            Sands dissolve the cicatrix of thee.
            Cobalt crabs pluck at deep-frozen lies
            Eating the corpses of what she denies.

            The images, as with the words of the song, ate at me, blurring the edges of who I knew myself to be. Salena. He’d mentioned my mother. What did that mean?
            “I’ve never seen you before in my life,” I whispered. It felt like a lie.
Was that Fiona’s nicker in the background? I seized on that. My horse, my life at Ordnung. That was true. Real.
            “No. But I thought you would know me anyway.”
            “You didn’t recognize me—you thought I was both of my sisters.”
“Did Salena teach you nothing?”
            “My mother died,” I snapped.
            “Believe me, I know. Her death caused a number of problems.”
            “I’m so sorry that the greatest tragedy in my life gave you annoyance.”
            The half smile twisted his lips. “More than you can conceive. I’ll make you a deal. Give me a kiss.”
            I didn’t reply. My dagger hand had gone numb, but a flex of my fingers reassured me I still grasped the hilt.
            “One kiss,” he repeated, “and if you still don’t want to come with me, if nothing happens, I’ll let you go.”
            Seemed like a bad bargain on his part, but I wouldn’t point that out.
            “Fine.”
            “No arguing?”
            I shrugged as best I could. “Whatever gets me closer to freedom. Either you’ll keep your word or you won’t. Either way, I’ve given up nothing of importance. And I seriously doubt your kisses are that spectacular.”
            “No?” he murmured, lowering his head. “We’ll see.”
            Mesmerized, I watched his lips descend to mine. The blood still pulsed, oozing out of the cut, fresh and bright over the dried tracks. Despite his nonchalant words, I felt the tension shimmering through him. This was the moment Ursula had described, when lust clouded their thinking.
            “Blood,” I murmured the moment before he touched me.
            “What?” His voice rumbled through me, soft, gravelly.
            “You have blood on your lips.”
            “I know. That’s the point.” With a certain grim determination, his mouth fastened on mine, though I tried to turn my head at the last moment. A bright flash of pain and I realized he’d bitten my lip.
            “Thrice-damn you!” I tore my mouth away, struggling.
            “Watch,” he ordered, holding me still.
            On his lips, the blood seemed to shimmer, then move of its own accord. A tiny bird formed, darkening from the scarlet of fresh blood to black.
            Then flew away.
            Aghast, enthralled, horrified, I watched it go, an impossible pinprick disappearing against the sky.
            “That’s impossible,” I whispered.
            The man’s joyful and triumphant smile crashed into disappointment at my words. “You really know nothing at all.”
            “Then let me up and you can explain.”
            Resigned, he nodded and moved just enough to loosen the grip on my hand.
            Not my dagger hand, but the one between us that he’d pressed to my bosom. I pushed my fist through his hand, up in a short jab to his larynx. He jerked back, howling, and his blood spattered my face, warm salt on my tongue. I pulled my dagger hand free and plunged the knife into the only target I could reach, his muscular shoulder.
            The knife stuck and I had no time to tug it free. I yanked away. He grabbed my ankle and I stomped down on his wrist with my boot and ran.
            Straight to Fiona, who waited right there, thank Moranu.
            The dogs gave chase and I couldn’t separate their excited barks from the man’s angry howls. I heard him ordering them to stand down, as if they’d understand his words.
            I scrambled onto Fiona, expecting the sharp bite of the hounds at any moment, but they only spun around my horse, sniffing and yipping. I dared to look for the man.
            He knelt in the grass, rage, pain, and blood distorting his fine-boned face, black hair a wild cape around him.
            “This isn’t over between us, Andromeda,” he punched the words at me through his pained throat. “Don’t think for a moment that you’ve escaped me. I am your fate. I have the taste of your blood now. Run now if you’re afraid, but I will come after you. I will always find you. You will be mine.”
            “Never!” I shouted at him.
            “Always.”
            It sounded like a vow.


Sunday, July 6, 2014

Crossing Genres for Fun and Profit

Each month the RT editors select one book that is not only compelling, but pushes the boundaries of genre fiction. This book stands out from all the others reviewed that month, in the magazine issue and on the website. June 2014's RT Seal of Excellence — the editors' pick for best book of the month — is awarded to Jeffe Kennedy's fantasy romance, The Mark of the Tala.
This week's theme in the Literary Bordello? Cross pollination: mixing and matching your genres.

Boy, am I the girl for you!

For a very long time as a fiction writer, I didn't know that I wrote cross-genre. I started out as a nonfiction writer, more or less, and for years I wrote in whatever style or format struck my fancy. In many ways, the world of "literary writing" is much more tolerant of this. You get to play around and find out what format works best. When an essay didn't work - at the suggestion of several people - I reframed it as a set of poems. Which then won a poetry fellowship. I sold a magical realism short story to a literary magazine that published only creative nonfiction. Which was funny, because the woman in the "essay" has a cancer that turns her into a grizzly bear at the end... VERY creative. :-) In that writing world, format takes second place to art.

In the world of commercial fiction, however, genre is Queen. Book sales are driven much more by type of story than author. Where lit fiction and nonfiction might all occupy the same shelf in the store, my erotic romances and fantasy titles would really never be shelved together - unless some special category like "local author" trumped it.

But this is something I did not get for a very long time.

Admittedly, part of this also comes from me being a very cross-genre reader. I've always read pretty much everything - from Oliver Sacks' essays on neurology to Anne McCaffrey's dragon-fired fantasy to Anne Patchett's books - both her literary fiction and her excellent memoir work - to Nora Roberts' contemporary romances to a book of very smutty rape-porn I found in my grandmother's attic. I never really read by genre. Thus, when I began deliberately writing fiction, I wrote the kind of story I liked to read - not realizing that what I liked to read was a major stew of stuff.

So, I wrote this story about a woman scientist in the modern world who walks out on her annoying boyfriend (contemporary romance), has a strange experience at Devils Tower (magical realism), ends up in Faerie (fantasy), is chained to a bed and forced into a semi-sexual bargain (BDSM/erotic), becomes a sorceress and fights to gain her own agency (sword & sorcery/epic fantasy), and has a convoluted romance (romantic fantasy/fantasy romance). After a few years of hearing that this book (which became Rogue's Pawn) could not be marketed, I finally sold it to a digital-first publisher known for taking chances on cross-genre books (Carina Press).

After that, I thought I got better. I made an effort to write in-genre.

I'm not very good at it.

I think I may be too cross-pollinated. Too eclectic in my tastes and styles to color within the lines. I'm more or less resigned to it.

Plus this happened.

Just last week!

My newest book, The Mark of the Tala, received the June Seal of Excellence from RT Book Reviews. As you can see from the caption above, they give it to a book that "is not only compelling, but pushes the boundaries of genre fiction."

Isn't that the way of the world? One moment a misfit, the next a visionary! (Okay, "visionary" might be stretching things - but still!) In the end, I stuck with what mattered to me. Maybe those early lessons writing non-commercially made a lasting impression. For me, genre has always come in second to story, much as I learned to subsume the format as the art demanded. It takes persistence and more than a little courage, to withstand the marketing types who insist on clear genre boundaries.

Would I do it this way again? Absolutely.


Tuesday, May 27, 2014

Release Day for @JeffeKennedy

It's a Tuesday party here in the bordello because it's Release Day for our Sunday Word-Whore Jeffe with the first book in her new fantasy series The Twelve Kingdoms:


The Mark of the Tala

The tales tell of three sisters, daughters of the high king. The eldest, a valiant warrior-woman, heir to the kingdom. The youngest, the sweet beauty with her Prince Charming. No one says much about the middle princess, Andromeda. Andi, the other one.

Andi doesn’t mind being invisible. She enjoys the company of her horse more than court, and she has a way of blending into the shadows. Until the day she meets a strange man riding, who keeps company with wolves and ravens, who rules a land of shapeshifters and demons. A country she’d thought was no more than legend–until he claims her as its queen.

In a moment everything changes: Her father, the wise king, becomes a warlord, suspicious and strategic. Whispers call her dead mother a traitor and a witch. Andi doesn’t know if her own instincts can be trusted, as visions appear to her and her body begins to rebel.

For Andi, the time to learn her true nature has come. . .


Buy it on:   Amazon          B&N          From Your Local Indie Bookstore  

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As for the weekly topic of swag? Well, I'm the sort of girl who has a thing for pens. Nice pens. The ones with the squishy grip. Wait, wait, before you groan and roll your eyes...

Pens have feet.

They must. How else do you explain how they disappear from your purse? Your car? Your desk? Jebus, you just signed the receipt with the damn thing. Where did it go?

It walked away.

It walked onto the bill tray at the restaurant. It hopped into the pocket of your repair man. It went sunning on the counter at the car dealership. Oh, the mischief it's gotten into at day care.

It may start in a box on your table at the signing, but oh the places it will go that you never anticipated.