Showing posts with label Hatshepsut. Show all posts
Showing posts with label Hatshepsut. Show all posts

Friday, August 2, 2013

Torture Versus a Slog Through Hip Deep Mud - Editing/Revising

Editing versus revising versus rewriting is a matter of sharpening focus. To my mind, editing is a close up examining surface blemishes - grammar, punctuation, fat finger mistakes and tweak-y word choices. (It isn't your imagination. I've used this photo before. ) While in editing mode, I'm no longer inside a story. The plot and characters stand on their own. Editing makes the OCD part of my heart oh-so-happy. I get to rest story brain and fuss with niggley detail that requires a more rules and detail-oriented slice of gray matter.
 
Don't laugh. When I've been thousands of feet deep inside the belly of my own personal whale of a novel, switching to smoothing the surface of the ocean is a relief. (Like how I did this photo - looks like I'm deep but you can see the whole of the cat who's eye is above? Work with me. Cat and boat photos are about all I have.)
 
Revising requires something totally different: staying a thousand feet deep within the story, while simultaneously pulling the viewfinder out far enough to be able to see the whole of the novel.
 
Never let someone tell you it's easy. There are people for whom drafting is a swift, joyful journey into the unknown and revision is a slog through hip-deep mud. Infested with leeches. Then there are people for whom drafting is torture and revision is a giddy, slippery-slide to THE END (me). But few normal people will shrug off the mental gymnastics required of revision. This is the spot in the writing process where it
feels like you have to see the forest AND the trees. All at once. It's a special mind space, I think, but one that's hard to articulate. I can only say it's far easier for me to know what to say to make something right after I've written it wrong. And I do mean wrong rather than incorrectly. Incorrect is what editing fixes. Written wrong is what revising is all about. Remember in junior high when other kids were making fun of you for something? You didn't know what to say or what to do until at 2 in the morning, the perfect response occurred to you? This is my life. No, no. Not the being made fun of part. Usually. I mean that my brain rarely comes up with the perfect thing to say until long past the point that I needed to say it. This is why drafting a novel is a one way ticket to the pit of hell for me. I drag my typing fingers, hoping the perfect words will deign to emerge. All I ever get is flipped off and an easier revision because THEN things start coming to me. This lack of mental nimbleness makes me a less than stellar Tweeter, speaking of deserving to be made fun of.

Rewrites are a different critter altogether and I won't be providing more than a mental image for your blog reading pleasure. Rewrites require you to stand in the bleeding, steaming guts of your story, pulling out bits of bone and vital organs in order to figure out why this creation you want to see living and breathing on its own refuses to do so. Then you have to stuff everything back inside, sew it all up, and hope the lightning strikes soon. Dr. Frankenstein. Painful? Yep. Gory? All too often. Full on emotional meltdown is reasonably common, too. But once the anatomy is rearranged, there's some fun in finding out whether your monster will rise to then be polished up before being loosed upon the world.

Friday, April 22, 2011

Smexy Shoe Fail

The number of us who own black, ass-kicking boots is getting a little spooky. Mine are shown to their aged and well-worn advantage by the lovely Hatshepsut. These boots are easily the most current and semi-fashionable shoes I own. They are also very comfy - something I woudn't have expected from a pair of $60 boots from the junior's department of a local store. I will admit to a pair of strappy black sandles very much like the ones Allison posted. I wear them only for formal events because those strappy bits cut the living hell out of my feet.
 Then we come to the sedate, business like pumps. Very comfy shoe. But this nice little pump is an illustration of how hopeless I am as a fashion plate. They're the shoes from my wedding, 18 years ago. That they aren't worn out gives you some notion of the fate of most of my remotely nice shoes. A box. In a closet. For a very long time. It isn't uncommon for me to exclaim, 'Wow, I still own those? Cool!'


The problem isn't that I can't walk in heels. There's a class for that.
My issue is the boat. You see, heels on gel coat means you're going for a swim. Boat people fast learn, too, that dark soled shoes are a very bad thing. You scrub the black marks from your no skid once. Then you pitch every single pair of dark soled shoes you own. Thus, you shall know the boat people by their creped soles, like this little cut leather number, right. Great traction on the boat, leaves no mark, and reasonably cute. But it isn't warm. Thus the other height of boat fashion.

The fur lined, water-proof boot. These are toasty, snuggly warm rubber boots designed to stay on my feet when I'm moving around on deck. Finding a pair of boots that are truly waterproof, that have support, and that don't slop around on your feet is major feat of endurance. The Sneakery in Seattle nailed this, though, when I went in complaining about the need for warm boat boots with actual arch support. These are easily the most expensive shoes I own. They were worth every dime.


For every day wear? Keds. No laces. The ultimate geek/boater/lazy-assed-writer shoe available. What? I want to stick my feet in my shoes and go. Why should I bend over to actually *tie* them? Wear the Keds for a week and the sole bed and canvas conform to your feet. They'll stay on until you yank them off at night. I walk miles in these babies. Yes. I freely admit that being a low maintenance boat babe means I sacrifice a certain something - looking like a responsible adult, maybe?