Showing posts with label Phantom of the Opera. Show all posts
Showing posts with label Phantom of the Opera. Show all posts

Sunday, August 9, 2015

Will Contemporary References Crash and Burn a Novel?

MASTER OF THE OPERA, my erotic retelling of The Phantom of the Opera set in modern day at the Santa Fe Opera House, originally published as a serial ebook, is now available in print! Exclusively from Books A Million for the time being. You can read a snippet from the book at That's What I'm Talking About today. Also, if you like my contemporary erotic stuff, you can vote for a scene from UNDER CONTRACT here for six more hours! Finally, over at Here Be Magic, we're celebrating August with Beach Week. I've got an excerpt of Ursula at the beach - a scene I really love.

This week at Word Whores, we're talking about whether topical or contemporary references should be avoided in fiction.

I heard this debate a whole bunch back when I was writing essays and creative nonfiction, which meant I was heavily involved in the literary and university/arts council-driven writing communities. I've rarely encountered it in genre circles, either in the romance or the sci fi/fantasy groups.

Frankly, I never bought the argument back then. People felt it "dated" the books, which would prevent them from becoming classics. I'd always bring up Jane Austen, whose books are classics partly because they so perfectly capture that era.

I imagine this doesn't come up as much in SFF because the stories are rarely about the contemporary era as is. In romance, particularly contemporary romance, topical and contemporary references are, well, pretty much expected and necessary. That said, I did hear one piece of advice on topical references that I've since taken to heart.

Angela James, Editorial Director at Carina Press, said in a workshop that writers should avoid comparing their characters physically to celebrities. I wanted to object, because I did this in GOING UNDER, comparing my hero Fox to Tom Hiddleston. To make her argument, she said two words: Val Kilmer.

Everyone groaned.

If you don't keep up with such things, Val Kilmer, who used to embody all things smexy, enigmatic and smoldering has now... gone exceptionally squidgy around the edges. In a distressing Brian Wilson/Marlon Brando way. Angela said, "you don't want people picturing that."

In addition, I've since learned that - astonishing to me - not everyone has a THING for Tom Hiddleston. Go figure.

Word to the wise!

Sunday, March 24, 2013

My Plotting Method: Toothpicks and Spider Silk

Has anyone created a Tetris-style game with cats?

So, before we get to the meat of what I'm not going to say today (ooh, *foreshadowing*), we have a BIG ANNOUNCEMENT.

As you may or may not have seen yesterday, Carolyn Crane is leaving the Word Whores blog. (Cue wailing and gnashing of teeth.) No, she's not moving to Timbuktu, so she'll still be around - just moving into a different focus. But this leaves what we like to call a HOLE.

Could you be the whore to fill that hole?

If so, we're taking applications here!

We just posted this last night and applications are already coming in, which is really very cool.

So.

Onward.

This week's topic is (kill me now): Brainstorming the Plot: With whom, when, etc.

See, you all just happened to catch me on the weekend that I'm cranking to finish my novel in progress. I haven't talked about it here much, but it's a modernization of Phantom of the Opera. It takes place at Santa Fe Opera, with more sex and lots of creepy paranormal occurrences. This is the eSerial I sold on proposal to eKensington. It's due April 1 (no fooling, ha ha) and I'm nearly done.

Nearly, as in less than 7,000 words left.

I took a holiday on Friday, when I had about 12,000 words left and figured I'd write 4K/day over the three-day weekend and be DONE.

But no.

I got in 2K Friday and 1.7K yesterday - and that was working on the book All Freaking Day.

This happens to me because I slow way down at the end of a book. Because I don't plot. Really, I can't plot. I don't get how other writers know what's going to happen before they write it. It sounds really cool and MUCH easier to do it that way, but it's just not how I do it.

So this "Brainstorming the Plot" topic is just a little taunting reminder. A little salt in my wound. Thank you very much.

Because I write for discovery (a term I love because it makes my process sound so thoughtful), when I reach the end, all my threads and bits of foreshadowing come together and I'm standing there, holding a bunch of these squiggly bits, waiting for them to weave together. Last night I told a friend it feels like knitting with toothpicks and spider silk.

That's really what it comes down to - waiting for them. I write a little bit. Things nudge along. I go back and noodle an earlier section. I go back to the end, write a bit more.

Writing this way takes a great deal of trust. I have to continue to believe that my subconscious knows the story and will reveal all in due time. It's that "due time" part that can strain my patience. That's when I compose snarky blog posts about the term "plotting" being a personal insult.

:D

But it's okay. This is my gig and I'm (more or less) at peace with that. I'm off to coax the story into place just a bit more.

Just wait until you see the final web.