Showing posts with label Gods of Egypt. Show all posts
Showing posts with label Gods of Egypt. Show all posts

Tuesday, June 2, 2015

Book Release: Veronica Scott's Ghost of the Nile

Got gods? How about meddling Egyptian Gods? Love a tortured hero out of time (in every way imaginable)?  Our beloved Saturday Whore, Veronica Scott offers up her latest installment in the Gods of Egypt historical romance series.

GHOST OF THE NILE
Gods of Egypt Series

1550 BCE

Betrayed, murdered, and buried without proper ceremony, Egyptian warrior Periseneb is doomed to roam the gray deserts of the dead as a ghost for all eternity.

But then the goddess of truth offers him a bargain: return to the world of the living as her champion for 30 days. If he completes his mission, he’ll be guaranteed entry into Paradise. Periseneb agrees to the bargain but, when he returns to the living world, two hundred years have passed and nothing is quite as he expected.

Neithamun is a woman fighting to hang onto her family’s estate against an unscrupulous nobleman who desires the land as well as the lady. All seems lost until a mysterious yet appealing ex-soldier, Periseneb, appears out of nowhere to help her fight off the noble’s repeated attacks.

Meanwhile, Periseneb’s thirty days are rushing by, and he’s powerless against the growing attraction between himself and Neithamun. But their love can never be. For his Fate is to return to the Afterlife, and Death cannot wed with Life…

Buy It Now & Leave A Review:

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Saturday, April 4, 2015

One Character Is Not Like the Other Character Because...

Since I like to write the same general type of adventure stories whether I’m doing science fiction romance or ancient Egyptian paranormal romance, I do have to pay attention to making the hero and heroine in each book different from the others I've written. Not all real life Special Forces soldiers are carbon copies of each other, any more than every businesswoman has the same outlook and knowledge…which holds true for ancient temple priestesses as well!

I spend quite a bit of time thinking about the character, in terms of their life experiences previous to the moments in time captured in my book. Why are they the person they’ve come to be, and how does that life experience shape the way they’re going to handle what gets thrown at them in the course of the book? I don’t make notes or keep spreadsheets (because that’s not me, folks) but I know enough in my head to write the person’s journey.

For example, in Priestess of the Nile, Merys the heroine is a bit naïve, does her best to keep some semblance of worship going at an abandoned temple.  It’s her connection to her late mother, and the one thing her unpleasant stepmother can’t take away. So her choices and the risks she takes stem from that situation. The love of Sobek the Crocodile God (in his human form) is everything to her.

 In the sequel, Magic of the Nile, her younger halfsister Tyema is now the high priestess of a full-blown temple, running all the associated businesses as well as the ceremonies.  Tyema was a victim of an
enemy attack on her village when she was young. When I first started working on the book I felt it would be unrealistic for her to have reached adulthood with no aftereffects from the terrible ordeal,  even though she grew up to take over the temple and runs its complex business affairs at the god’s direct command.  She’s structured her life to be in control at all times, as much as possible, to avoid triggering or even revealing the symptoms of her malady. The coping plan works for her until Sahure, a handsome, noble warrior, is sent by Pharaoh on assignment to her remote province. Complications for Tyema – good and bad – spiral from there.

Although Tyema’s anxiety is only one aspect of the book’s plot, the condition and the lengths she goes to cope drive some of the decisions.  The ancient Egyptians wouldn’t have understood an anxiety attack the way we do today, and they certainly had no idea how to effectively deal with it. “Cures” tended to be heavily based in magic and some fundamentally misguided theories of female anatomy.  Even Sobek, who takes care of the Nile and is a force of nature, doesn’t understand the struggles of his priestess. “She knows I watch over her - why isn’t that enough?”  the god asks in the novel.

Tyema isn’t magically cured by the end of the novel because that’s not realistic in any world, but she and Sahure have a better understanding of what she’s dealing with, and what she’s capable of.

I wish I had time today to talk about the research and thinking I did to arrive at the human version of the Crocodile God (what motivates him, what would attract him to a human woman, what’s he afraid of…) but alas, this week’s topic is done….so there you have my somewhat organix "think it out"  approach to developing and differentiating my characters.

April is National Anxiety Month, which is partly why I’ve focused on the issue today. I'm one of the 40 million people who have anxiety issues, mine triggered by a bad car crash years ago. My priestess heroine had few choices 3500 years ago, but nowadays there are things to be done if anxiety becomes a problem in conducting daily life.  For more information on anxiety, I encourage you to check out the National Institutes of Health “AnxietyDisorders” page. Don’t hesitate to seek help if you’re having issues that could be anxiety-related. Talking to your family physician is a great place to start!

Saturday, March 7, 2015

Inner Conflict in Ghost of the Nile

For the post this week, I decided to tackle the questions fellow Word Whore Linda presented in her excellent post on Wednesday. I applied them to the hero in my latest WIP, Ghost of the Nile, the first draft of which I’m happy to say I finished this week. I LOVE being a fulltime writer now! ( Off-topic: Here was my post on that recent change in my life: Living the Dream)

So here were Linda’s probing questions, my answers and a tiny hint of Chapter One from the WIP:
1.) What is privately at stake for your antagonist and how can you use that to force him into the fray? The hero of my story is Periseneb, an ancient Egyptian warrior who was murdered and never received the proper burial, nor was the Book of the Dead recited for him. Consequently, his heart will never be judged by the gods in their golden scale, and he can never enter the Afterlife. He’s been condemned to endlessly wander the gray wastes, fighting demons and other perils. The goddess Ma’at offers him a chance to win entry into the Afterlife, if he’ll serve as her champion in the battle against an enemy deity and its human agents. She’s surprisingly vague on the details of what he will face and must accomplish.  Of course there’s a catch – if he doesn’t satisfy the goddess with his efforts, he’ll be returned to the gray wastes forever. No second chances.

“What do you need done?”
            Smiling she said, “I need you to complete your interrupted journey home.”
            Disappointed, since he’d been thinking of battles with demons perhaps, he said, “That’s all? Just show up 200 years late and say, here I am? Who would know me now? Who would care? I have no place there, Great One.” His voice cracked just a little on the last sentence and he clamped his lips closed, taking a deep breath. Thinking about the dreams he’d had, simple as they were, hurt like a knife to the heart. All gone, turned to dust.
            Leaving the chair, she walked to him and the scent of her blue lotus perfume was calming. “Complete the journey and act as your heart dictates.” She tapped his chest with her index finger and he felt his heart thump loudly. “Do what you feel best represents truth. What represents me. I request no more and will accept no less.”

2.) What is it that your hero is in the position to learn that would make a difference to or effect only his or her own life? For good or bad?
Periseneb really wants to find out who murdered him and exact some kind of justice, even though he now knows it’s been 200 years or so since he died.

3.) What has he or she already sacrificed to keep the peace or be happy in their personal life in your story? How do they feel about it and how does that increase the internal conflict for your viewpoint character(s)?
I can only answer the third question in the context of my novel. As Periseneb steps back onto his home territory, he finds it increasingly difficult to maintain his emotional distance from the current occupants of the Heron Marsh estate, especially the Lady Neithamun. Things he discovers about those who lived on the estate in his time, as well as the facts about his murder, shock him.
And, he’s an akh, a ghost given human form by the goddess. Ghosts were much dreaded in ancient Egypt, believed to have dark powers. He has to keep the secret of who and what he is, while attempting to discern exactly what the Great One Ma’at wants him to accomplish. He’s deeply conflicted about being among unsuspecting humans as a despised ghost, even with the promise of the Afterlife within his grasp.

So, that’s my post on inner conflict for this week and a BIG thank you to Author Linda!


(Ghost of the Nile is in the editing process and will hopefully be released toward the end of April this year.)

Saturday, November 8, 2014

Is It Weird to Buy a 3000 Year Old Bead?

The theme this week was to talk about something weird or unusual we'd done for our writing. My fellow Whores have had some good tales to tell (although Marshall fell into a time warp and wrote against next week's topic instead LOL)...I really haven't done much of anything on a par with what the others have shared.

Yup. Vanilla. That's me, this week. 

Atop the Pyramid of the Sun, Pyramid of the Moon in background
I have climbed the Pyramid of the Sun in Mexico three times, which as it turned out,
was good for my writing (no, not for the Egyptian novels, but actually for several of my SFR's)...but I did said ascensions in high school, long before any of my current novels were even a glimmer in my Muse's eye. (I'm afraid of heights, which is what makes my threepeat noteworthy BTW.)

But I did indulge myself in one purchase a year ago or so...to come as close as I could to touching the time in which my Egyptian paranormal novels are set.

 I gave in to the intense desire to own this tiny scarab made of blue steatite (a form of soapstone) with what is believed to be the cartouche of Princess Meritamen on the flat side.

Meritamen is an actual woman who lived a few hundred years after the general time frame where I place my “Gods of Egypt” paranormal novels. That’s her in the photo, as depicted by royal sculptors. She was the daughter of Ramses the Great and his favorite wife, Nefertari, and had at least four brothers and a younger sister. She played the sistrum, she danced, she sang…she was evidently a great favorite with Ramses II, being depicted in many of the official statues and paintings with him. Some of the titles and inscriptions regarding Meritamen talk of her being “fair of face,” with a beautiful forehead, as well as references to her perfume and that she was apparently very well spoken.

There’s a scene in her tomb where she’s depicted as bringing boxes of clothing with her to the Afterlife. I love that touch!

She was buried in the Valley of the Queens but the whereabouts of her mummy are unknown. Only the lid of her sarcophagus is in Berlin today.

The bead came with a scholarly discourse stating the amulet can quite reasonably be assumed to
have been hers, based on technical considerations too numerous to mention here. I loved the idea of having something that actually dates back to the time frame I write about.

OK, I can hear the sceptics now. Even with a great provenance and scholarly details, there’s no proof this bead is really hers or is thousands of years old. I do know that. Even in the days of ancient Greece and Rome, clever artisans made fake “antiquities” for the tourists to buy. So it’s probably a skillful fake.
But I choose to believe this might be real. When the package came and I gingerly took the tiny bead out (it’s about the size of my thumbnail) I felt this indescribable flash of something…this bead isn’t like anything else I’ve ever unwrapped. I can’t really describe it any better than that. I felt I was holding a fragment of antiquity in my hand.


Fake, real? Does it ultimately matter? For a few moments a connection has been forged between me and this genuine person from the time I write about….

Saturday, July 5, 2014

Inspiration Is Full of Twists, Turns & Research

For my science fiction novels I tend to be fascinated by an event, which leads me to that first "What if" question and then I'm off and running. So far I've been inspired by the sinking of the Titanic, the 1857 Sepoy Incident in India and various other real occurrences. I'll be reading or watching the news and suddenly my eyes glaze over and I start thinking in terms of a plot. I always begin from the point of what I would have done or what it must have been like and go from there.

WRECK OF THE NEBULA DREAM was inspired by the idea of retelling the story of Titanic, but set in space. I like to have a Special Forces guy as my hero in the SF novels, so I had to figure out why he'd be on board this luxury liner in the first place. Once I knew the answer to that, then the plot began coming together. At some point I realized I had to stop and design my spaceship, because the characters were moving all over and between decks in their efforts to save lives and escape the wrecked vessel. So I'd better know if the cargo hold was on level ten or level 8! I researched cruise ships, aircraft carriers and certain features on the Titanic, all of which gave me plot points and ideas. I drew a really bad schematic of my ship and kept writing.

For the paranormal novels I set in ancient Egypt, I tend to start with a situation (a dancer, captured by the enemy...or a priestess who finds it a personal challenge to be anywhere but inside the safe confines of her temple, suddenly sent to Pharaoh's Court....).

Let’s go with the latter situation, which became my latest novel MAGIC OF THE NILE. Since it’s a sequel to PRIESTESS OF THE NILE, I’d already done the research into the Crocodile God Sobek, hero of the first book and major player in the second. (My inspiration there having been the realization that the god was a shifter, which led to the question what kind of woman would catch such a being's fancy? One with a beautiful voice, since crocodiles have excellent hearing.) But for this book, since we spend time at the temple Tyema runs, I researched how Sobek’s temples were organized 4000 years ago, a lot more details about crocodiles, how processions were conducted, which deities were important in the capital city of Thebes, the hierarchy of an Egyptian temple’s priesthood, what Pharaoh would wear for different activities, what foods would be served on a big feast day…

I needed my hero Sahure to be very dashing, so he’s a charioteer, which was about as dashing as you could get in 1500 BCE. That led to research on chariots, including a wonderful NOVA special, called “Building Pharaoh’s Chariot.” (Available on dvd.) Watching a team of British researchers attempt to reconstruct the chariot of ancient times, with the help of Egyptian craftsmen, basically by studying tomb paintings and the few actual surviving chariots, was amazing.  But where does Sahure need to be in his gleaming, horse-drawn vehicle?

Well, turns out there was a chain of fortifications along various Egyptian borders, including at the Southern Oasis of Kharga, located on a major caravan route. I’d already researched caravans pretty heavily for a sequence in DANCER OF THE NILE. That’s one nice thing about writing a series – I can build on the tidbits I’ve learned before.  Also, research suggests plot points and vice versa. Since I’m a seat-of-the-pants writer, this approach works for me! Now I know all about Kharga, including the topography and weather.

At one point, Sahure needs to tell Tyema about a battle he’s fought in beside Pharaoh. I drew a suitable tale to adapt from translations of  4000 year old eyewitness accounts of actual warfare and gave my character the right ‘memories’ to share with the heroine. So I also needed to be able to talk about his weapons and tactics. Back to researching bows and arrows of the time…

Were the native people of the Southern Oasis descended from the goddess Sekhmet? They certainly thought so, which sent me off to ponder all the cool facets of her powers and background.  Sekhmet became a major player in certain events that take place in my book. In many cases there are alternate versions of the myths surrounding an Egyptian deity so I’m free to choose the aspects that work for my story and to extrapolate other ideas for my plot.  

A lot of the research I do never shows up directly in the novels, so if by now you’re thinking "Wow, her books must be dusty tomes!" hopefully I can reassure you. I have to be able to put myself in the headspace of ancient Egypt, so I can create characters who are believable residents of that time and place, even while they’re having these amazing adventures. I don’t have to show off all my research (except maybe in blog posts LOL). If it doesn’t serve the plot, it doesn’t go in the book, but the knowledge might influence the story’s direction.

For my latest science fiction romance, however, it was a single photo that made me pause and ask myself, "What if?" 89K words later and about to publish in August, turns out there was a lot of action, romance and adventure in that what if!

Saturday, June 28, 2014

Do the Dancers Go Before the Crocodile God or After?

Ok, over the last few weeks I've offered up all the conference and panel insights and suggestions I have, so today, I can only offer you a scene from Magic of the Nile wherein the main character Tyema, High Priestess of Sobek from a rural province, is in Thebes. She's participating in a meeting  where they're planning a con - I mean a one day festival with parade! - to honor the Crocodile God. She'll be donating a special animal to the local temple at the god's request. The priests from the temple in Thebes aren't any too happy. (Edekh is Chief Scribe to Pharaoh.)

The door across the room, which only Pharaoh himself could use, opened and Nat-re-Akhte entered the chamber, saying as he crossed the gilded threshold, “No need to genuflect, this isn’t a formal audience.” Today he wore no crown but had the golden uraeus on his brow, held in place by a golden circlet. He carried the blue-and-gold crook and flail of his rank, ritually positioned across his chest.
            Tyema stood aside as Nat-re-Akhte walked past her to his chair, which was a golden marvel, depicting intricate scenes of himself with various gods that were far too detailed for her to fully absorb in one glance. The chair rested on intricately carved lion paws, and was set on a slightly raised dais at the head of the gleaming wooden table. The ever present fan bearers took up station behind Pharaoh and Edekh walked to a place at his right hand.
            “You may be seated,” Pharaoh said, placing the crook and flail on the table in front of him. “Which day is going to be the most propitious for this ceremony?” He gave Tyema a conspiratorial smile. “My zookeeper tells me the beast has already devoured all the fish in his pond and they’ve had to restock.”
            “I’ve cast the omens, Great One, and the day after tomorrow is the ideal date for the new ruler of the bask to be presented to the people of Thebes and installed at our temple,” said the High Priest, displaying no hesitation.
            Pharaoh nodded and Edekh made a note. Tyema sat back in her chair as the men discussed the arrangements for the procession. The city officials were also silent for the most part, apparently in the meeting to receive instructions, not to make suggestions. She had no opinion about the parade, the local Sobek priests knew their own city and how to organize things here. Perhaps she would have put the second troupe of dancing girls before the sacred image of Sobek, not after as they were going to do, but Tyema had no feeling it mattered to the Crocodile God, so she only nodded when Pharaoh courteously asked her opinion.
            The high priest continued his rundown of the sequence of events. “And when we arrive at the temple, I’ll greet you with the hymn of the seventh hour—”
            “After I’ve sung the hymn of the Abundant Nile,” Tyema said. She felt a tightening in her gut, sure now they would be in opposition. He’d rather I played no part in the day’s ceremonies. He probably wishes I’d just sent the crocodile with only old Hotepre for escort. Well, for that matter, so do I, but the Great One wanted it otherwise.
            The older priest cleared his throat for a moment, blinking. Clearly he wasn’t used to being interrupted. “No need for you to exert yourself, I’m sure. It’s one of the older, less well known hymns after all.  You can sing a brief blessing on the bask at the end of the ceremonies, if you wish. Now then, as I was saying—”
            “The Great One Sobek particularly enjoys the ‘Abundant Nile’, since it praises his efforts to keep the life giving waters flowing freely,” Tyema said, cutting across his words, her voice clear. “As he is sending his crocodile to you, personally selected by him, we need to thank him appropriately.”
            The men from the Theban temple gawked at her. Color becoming even hotter in his gaunt cheeks, the high priest blew out a breath. “My dear girl, we’re duly conscious of the honor the Great One does us here at Thebes. I merely see no need to slow the tempo of the ceremony with additional music. The crowd will naturally wish to see the crocodile installed in the pond as soon as possible.”
            “As High Priestess, it’s my responsibility to conduct the crocodile to your temple and to make the official transfer in proper order,” she said, not at all abashed by his dismissive manner. When it came to anything regarding her duty to Sobek, Tyema felt as if some measure of his strength ran in her veins, and no condescending old man from Thebes could silence her. “I’ll sing ‘Abundant Nile,’ after which you can sing whatever you feel is most appropriate to accept the gift of Sobek and then we’ll proceed to the pond. Whether our audience is one person or ten thousand people, we must honor the Great One Sobek properly.”
            “Well,” Pharaoh said, his voice solemn but his eyes twinkling, “The list of songs is decided then.”
            “Duly noted,” Edekh assured him as the palace scribe by his side made rapid inscriptions on his tablet. The temple scribe shot a wary look at his superiors, but then scratched some notes as well.
            There was an awkward moment of silence. Pharaoh raised his hand and gestured in a lazy circular motion at the priest. “Continue.”
            The man opened and closed his mouth several times before swallowing a sip of wine from the clay goblet his under priest handed him. “Um, yes, um, at the pond, we’ll open the crate—”
            “The child of Sobek doesn’t travel through Thebes in a crate,” Tyema interrupted.
            “You’re not seriously proposing to have a dangerous Nile crocodile carried loose in the procession, are you?” the old man spluttered.
            “Sobek has given me the gift of controlling his children of the Nile when circumstances warrant. I’ll ensure the animal remains calm during the parade through the city, docile until he’s installed in the pond,” Tyema said.
            “I’ve seen this gift or power in action, exactly as the Lady Tyema indicates,” Pharaoh agreed.
            “It would be most exciting,” said one of the younger priests, enthusiasm causing him to speak boldly, earning himself a glare from the High Priest. “Imagine the effect on the crowds, the crocodile on full display, yet posing no danger.”
            “Sobek has selected a magnificent animal to rule over your bask,” Tyema said. “The beast has the rare purple underbelly. It can only benefit your temple to have the people of Thebes behold this marvelous creature, not have him hidden away in a crate.”
            “Consequences will be on your head if this goes awry, if the beast causes injury,” the old priest said, his eyes flashing in anger. He bit his lip and glanced at Pharaoh, seeming to regret his outburst.
            Tyema laid a hand on the collar, touching the emeralds. “Where’s your faith in Sobek, the god we both serve?”
            “Any other concerns?” Pharaoh asked the high priest, his tone mild.
            “No, Great One. I’m satisfied with the arrangements,” he said, sounding as if he was forcing the words out one by one.
            “I’ll need to inspect the pond,” Tyema said, tapping her fingers on the table as she mentally reviewed her list of requirements. “I’m sure all your arrangements are in order, but I can’t bring Sobek’s gift to you with all the pomp and ceremony, only to find some problem in front of Pharaoh and the crowds.”
            Now she thought the old priest was going to have a full-on fit, especially as Pharaoh was nodding agreement with her. “Excellent forethought, Lady Tyema,” the ruler said. “Captain Sahure can conduct you and your crocodile keeper to the temple tomorrow morning, leaving the afternoon for any repairs or alterations to be made. On the appointed day, the palace will provide the usual beer, bread and meat for the afternoon feasting after the procession in honor of Sobek. Edekh will see to the distribution.” He rose, signaling the end of the meeting, and swept out of the chamber.
            Edekh remained, moving closer to Tyema as the high priest came around the table at her. Shaking a finger in her face, the man talked so fast he was spitting. “There’s nothing wrong with my temple’s pond, girl, and I don’t appreciate your trying to embarrass me in front of Pharaoh by suggesting there is.”
            The priest who’d agreed with Tyema before put a restraining hand on his elder’s arm. “I don’t think anyone took her words as carrying intent to insult, sir. The lady is being prudent, cautious with the Great One’s living gift to us.”
            “Sobek gave me the responsibility for his crocodile and I don’t take it lightly,” Tyema said. “I can’t.”
            “Some little nobody from the country, trying to make a place for herself here, no doubt,” the High Priest blustered on.

            “I’ve no desire to live here in Thebes. Running my own temple and managing my own concerns keeps me fully engaged,” Tyema answered, her voice sharp. She leaned toward him. “I speak directly to the god, to learn his will and desire. Surely you do the same?”

Copyright Veronica Scott 2014

Saturday, May 31, 2014

Swag Newbie Experiments at RT

RT2014 Book signing
The recent RT Booklovers Con in New Orleans was only my second attempt at doing swag. I was such a newbie at my first book signing several years ago that fellow Word Whore Jeffe had to kindly alert me to the fact I probably needed some and by then it was too late to get anything too spiffy. I had a generic business card decorated with a peacock feather print, generic (but cute) King Tut pins and some stickers to which I managed to add the title of my book. Oh, and Hershey's kisses, which I put into a vaguely Egyptianish bowl.

That signing went well and people actually did like the King Tut buttons but of course there was nothing about the pin to remind them of my name or my books.

For RT, I procrastinated. I  think I was feeling overwhelmed by all the chances to do promo and ads and not knowing what to try, never having been to RT before. I already talked about how I decided to just let RT flow over me this time and see whether I wanted to go again (Oh YESSSSS) and if so, what promo would be effective. All well and good but if I was planning to be at the book signing, then I needed some things. Even I knew this by now!

I'm so grateful to Kim Killion at Hot Damn Designs, who I'm pretty sure was astounded that I waited til literally the last moment before asking her if she could make me business cards and bookmarks. But she took the challenge on (bless her and her team) and the items arrived just before I had to leave for RT and were gorgeous.

I spent one day cruising eBay and Oriental Trading Company and a few party supply sites online, looking for other potential swag. I love to shop by the way. I had to rein myself in that RT probably wasn't going to allow me to go for the 8' Temple Arch or even the 6' Column, much less the folding 4' Sphinx, all of which I found in prom decorations. I also found a lot of potential mummy swag that was scary and/or ugly. I only wanted good associations with my ancient Egypt books, not "Frankenstein Meets The Mummy" type stuff.

I decided to get about 30 of each item, figuring I'd see what Readers liked, and then go in that direction for my next major swag event. I went ahead and used more of the King Tut buttons I'd already bought in 2012 (not going to tell you how many of those I had ordered. Suffice it to say you'll see them from me for decades to come LOL.) Same for the pretty stickers, but at least I attached my spiffy new business card to the back.

My Mummy suckers from Oriental Trading were a hit - cute, tasty, different from Hershey's kisses. The miniature papyrus bookmarks (see below) were also very popular. My only problem with them was that in each package of ten, there were two that misspelled the name of the Egyptian god, so I had to give those to Goodwill. So I ended up with 24 for the price of 30. Sigh. The heiroglyphic pencils weren't a hit.

I might do pens next time, as everyone says they're popular. I did actually order ten pens as a test case. Yeah, they arrived from Egypt a week after I got back from RT.

Realizing I was concentrating on my Egyptian paranormal series and ignoring my science fiction romance, I
ordered magnets of the two book covers. Um, ok note to self, please check SIZE when ordering. They were HUGE. I put them on my refrigerator and my daughter took one but I didn't bother carrying them to RT. OMG. I definitely plan to do magnets of the book covers again but not ones that take up a huge chunk of real estate.

So, all in all, I felt good about my experiment and I have a better idea what I'll do for the next RT book signing I attend.



Tuesday, October 8, 2013

Pimping: Egyptian Dancers & Faerie Rogues

It's a big release week in the bordello. Our weekend whores have new e-books  available. Yes, dear darling readers, that's TWO, TWO, TWO new releases for you.

First Up, Saturday Whore Veronica Scott's third book in her historical paranormal Gods of Egypt Series: Dancer of the Nile

Egypt, 1500 BCE
Nima’s beauty and skill as a dancer leads an infatuated enemy to kidnap her after destroying an Egyptian border town. However, she’s not the only hostage in the enemy camp: Kamin, an Egyptian soldier on a secret mission for Pharaoh, has been taken as well. Working together to escape, the two of them embark on a desperate quest across the desert to carry word of the enemy’s invasion plans to Pharaoh’s people.
As they flee for their lives, these two strangers thrown together by misfortune have to trust in each other to survive.  Nima suspects Kamin is more than the simple soldier he seems, but she finds it hard to resist the effect he has on her heart.  Kamin has a duty to his Pharaoh to see his mission completed, but this clever and courageous dancer is claiming more of his loyalty and love by the moment. Kamin starts to worry, if it comes to a choice between saving Egypt or saving Nima’s life…what will he do?
Aided by the Egyptian god Horus and the Snake Goddess Renenutet, beset by the enemy’s black magic, can Nima and Kamin evade the enemy and reach the safety of the Nile in time to foil the planned attack?
Can there ever be a happy future together for the humble dancer and the brave Egyptian soldier who is so much more than he seems?

AVAILABLE on Amazon   Barnes & Noble   All Romance eBooks  


Then it's on to Jeffe Kennedy's second book in her fantasy romance series Covenant of Thorns: Rogue's Possession

A human trapped in the world of Faerie, in possession of magic I could not control, I made a bargain for my life: to let the dangerously sensual fae noble known as Rogue sire my firstborn. And one does not break an oath with a fae. But no matter how greatly I desire him, I will not succumb. Not until I know what will happen to the child.

Though unable--or unwilling--to reveal the fate of human-fae offspring himself, Rogue accompanies me on my quest for answers. Along the way he agrees to teach me to harness my power, in exchange for a single kiss each day and sleeping by my side each night. Just as I am about to yield to temptation, I find myself in a deadly game of cat and mouse with an insane goddess. Now my search for the truth will lead me to the darkest of all Faerie secrets.

AVAILABLE on Amazon   Barnes & Noble   Carina Press  

Go forth. Acquire. See if you can make a rogue dance...