Showing posts with label #RT15. Show all posts
Showing posts with label #RT15. Show all posts

Sunday, May 24, 2015

Working Up My TED Talk

I always say that one of the best perks of being an author is befriending other authors I love to read. Here's me and the amazing Jennifer Estep at the RT Convention. I have mad love for her assassin heroine Gin and her Elemental Assassin series. And not only because she's up to 14 books in that series. The woman is a powerhouse. Dayum. We got to sit and have a long conversation, which is just my favorite things about conventions - picking each others' brains, hearing other perspectives on both our art and the business.

It's like having a week's worth of intimate TED talks.

I'm fascinated by TED talks and listen to/watch them over the internet from time to time. Which is saying a lot because I really don't like to spend the chunks of time that can require. My days are pretty packed and stuff like that feels like a diversion from the work I need to accomplish. But I also love the concept - "Ideas Worth Spreading" - and some of the talks have really opened my mind. Some favorites are Amanda Palmer's The Art of Asking, Stella Young's incisive breakdown of "Inspiration Porn," Eli Pariser's eye-opening discussion of online "filter bubbles," and Elizabeth Gilbert's wonderful discussion of creative genius.

(Apologies if I just sent you down a rabbit hole of TED talk watching...)

At any rate, I contemplate sometimes what I would say, given the opportunity to give my own TED talk, which is why I suggested this topic for the Bordello. I figured it would make me think about it in a more focused way and I want to hear what the other Word Whores would say.

But when I sat down to write this post, I still didn't have a clear idea. I have about ten-thousand pieces, but not a single, concise thought. Which left me feeling daunted until I realized that's partly what the TED process is about. A colleague of mine - from the day job - did a local one on drinking water. She told me that she worked and reworked her talk with extensive coaching from the TED people. They kept telling her that they didn't really feel her passion for clean drinking water and that it was a revelatory process for her to dig into what that really meant to her.

The point then, I suppose, is that I wouldn't need a perfectly clear concept to begin with. That's how essay-writing always worked for me. I started with a nugget of an idea, a pivotal moment, and explored it. That's how I cemented my process of writing for discovery, no doubt.

I think I'd want to talk about balance, the concept of the middle path. In my bio, I used to say that I'm a fence-sitter - something I later took out because people interpreted that as me being indecisive, neither here nor there, which isn't very accurate. No, by that I mean that I'm a right-down-the-middle person. On most tests, I come out balanced. I'm equally right- and left-brained. My writing voice is equally male and female. I'm neither Type A nor Type B, but an equal measure of both. Though I come out as an INTJ on the Meyers-Briggs test, I'm mildly so on all four parts and could easily tip into the opposite designation.

Which is why it should be no surprise that I'm both a scientist and a writer of romance and fantasy. Once I told my agent a true story that involved me using a pendulum to dowse and how I inadvertently caught the attention of something vengeful and not-quite human. He exclaimed, "My God, Jeffe - you're a scientist!"

Yes, I am.

And as such, I'm a believer in empirical evidence. This is why I double-majored in college, in biology and comparative religious studies (another two-sided aspect) - because I see both sides of the world. That which is material and that which is immaterial.

That is what I'd talk about.

Wouldn't it be fun if I got to, someday?

Sunday, May 17, 2015

Your Infrequently Asked Questions


I'm at the RT Booklovers Convention (#RT15) this week, so I've scheduled this post ahead of time. Which means that, as I write this, I'm not really at RT at all, but at home, doing All The Things to get ready to go. A funky kind of time travel...

At any rate, the topic for this week in my future, your present, is Your Infrequently Asked Questions.

. . .

Yeah.

I was coming up blank so I did what any reasonable person does - I threw the topic out to the Twitter Hive Mind. (I also posted to FaceBook, but that's less of a Hive Mind than a slow-moving coliseum of people mostly gawking at funny videos and arguing about politics.)

Some suggested questions - and my answers!

Are you an alien?

Doubtful. Though there IS the time-travel thing! When I was a kid, I thought so. I was convinced that my true people had abandoned me and would return for me someday. Does every kid think this at some point? So interesting how this crosses over with the concept of changelings. (Which comes out in my various stories a great deal.)

When is your next courtroom thriller coming out?

I'm actually working on a courtroom thriller/fantasy romance. Fae lawyers and wizard serial killers. The ultimate cross-genre mashup!

(You know, I wrote that as a joke and now the idea is percolating - it *would* be kind of cool! Also, this is why my agent hates me.)

Do you ever wish you had fewer hats?

Only when my teetering hat pile falls off the shelf where I keep them. What I really need is one of those room-sized walk-in closets where each hat rests on a little model head. I am trying not to buy too many more new hats. Nora Roberts was auctioning off her Kentucky Derby hats and I was watching the auction on eBay, seriously tempted to bid. I probably would have, but then I forgot to look on the last day and missed out. I'm calling that fate.

How is your big hat fetish reflected in your writing?

"Fetish." PLEASE! It's barely an obsession! Interestingly, I don't know that it is. I rarely have my characters wear headgear. Except crowns and circlets. Those figure heavily in THE TALON OF THE HAWK and THE PAGES OF THE MIND.

Are your cats muses, familiars, or ghostwriters?

Yes. Okay, actually I think they're mostly familiars. They keep me company and remind me that a good life includes relaxing in the sun, lots of affection and regular meals. Really, they don't inspire much as they find me tapping at the keyboard a waste of attention. Occasionally they attempt to ghostwrite, but their spelling is terrible and I always find them out.


Sunday, April 5, 2015

Time in a Novel: What Should Your Scale Be?

https://rtconvention.com/event/scrapbooking-mania-0
Tis the season to be gearing up for the RT Convention! This is just one of the fun reader parties I'm participating in.
So, our Bordello Topic of the Week is 3 Hours, 3 Days, or 300 Years: How Do You Choose & Use The Passage of Time?

As always, that "choose" word amuses me. I like it though. I envision myself gazing into a fire thoughtfully, perhaps wearing a cardigan with leather patches on the elbows and with a notepad on the table beside me, next to the snifter of brandy. I frown as I contemplate the timeline of the novel I'm working up, envisioning the sweep of the story, how many days or years it should take to play out and.... Who am I kidding?

This is so not me.

So far, every single time I thought I was going for a long timescale, it hasn't happened. For example, The on-screen events of the three Twelve Kingdoms books (so far) take place over the course of just over a year. A jam-packed year, for sure. When I proposed the books? I envisioned them being something like ten years maybe. Now I'm adding two more books to the series and I might make it another year into the arc. We'll see. But again - who am I kidding?

I'm a fine-scale writer. Probably because I'm a character-driven writer and I love to focus in on detailed conversations and slow-burn epiphanies. I love to have that stuff on the page and to linger over it. Because that's the trade-off - if you want a larger time-scale, more stuff has to happen off-screen. It's a necessary sacrifice. I recently read a book that I loved, loved, loved - and yet, a number of events happened off-screen that I felt cheated by missing. I *wanted* to live those moments. In that case, I think the author could have made the choice to include some and I'm not sure why she didn't.

In other cases, it's not so much of a sacrifice to lose the boring, daily stuff. Much as I love Jacqueline Carey, she once dragged me through innumerable pages of a long, excruciating journey through monsoon rains. Yes, she made me live the misery and it's obviously stamped indelibly into my brain. But... really, Jacqueline?

I suppose that timescale of the story is ultimately a tradeoff between velocity of the plot and believable character development. In romance, in particular, the worst transgression of this kind is the "insta-love." In fantasy... could be the too-easily resolved defeat of the hero? I dunno. What do you all think?