Photo from sxc by Brainloc |
OK, I don't DO that. My seventh grade
English teacher Miss Pipkins scared the living daylights out of all of us when
she assigned our first ever term papers and taught us about footnotes. I
footnoted the HECK out of that paper (one sentence had three footnotes all by
itself) and any and all research papers written since. I don't remember exactly
what she said any longer (seventh grade was kind of a long time ago and
there've been many life events since then, trust me) but the effect of her dire
admonition never wore off.
For the day job I also work in a place
where Science is Done (yup, capitalized Science, Nobel Prize-winning worthy
stuff although not done by me personally...) I have shaken the hand of a Nobel
prize winner....so you can imagine the emphasis there is definitely on original
thinking, proper attribution, proper credit-where-credit-is-due.
But I don't do science, at work or in my
private life - I write about ancient Egyptian dancers and warriors and their
gods, or else I'm in the far future with aliens and spaceships and Special
Forces operators with blasters. No need for footnotes there! I am influenced by
all the 1950’s B movies I soaked up on late night television as a kid (Flash
Gordon, Forbidden Planet, Princess of the Nile….) but as several of the other
Whores have said, earlier this week, everything I’ve ever seen, heard or read
has gone into my imagination. Like whole vegetables into a Cuisinart (used to
sell those in my retail life but that’s another story), stuff flows into my
conscious and my unconscious and my subconscious. My Muse slices and dices and
minces and mixes that with all my own personal experiences and THEN…out come my
plots of my books.
I got over two million results on a Google search tonight for “story
archetypes” so no footnotes needed, I hope, to emphasize that as human beings
we’re all basically dealing with a set of Big Themes and what we bring to the fiction writing effort
is the stuff our Muse has hidden away in her cupboard? (Wow, I’m getting into
some mixed metaphors here…).
So. I’m going to leave
you with one of my early influences, the
Flash Gordon. I think you’ll see he’s mixing up most of the Story Archetypes
pretty nicely, along with deathless dialog, instalove, hunky heroes, blonds vs. brunettes, strange
alien worlds (I can hardly keep a straight face here, considering Ming’s guards
appear to be recruited from Monty Python and Ancient Rome…)
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