I heard recently that Joyce Carol Oates puts a manuscript
into a drawer and leaves it there a year after between drafts.
I can totally see that. Revising is a lot about putting
yourself in the reader’s shoes, and experiencing it in a fresh way. Putting a draft
in a drawer would really help create that kind of distance. If nothing else,
you wouldn't remember half of what you wrote, or at least I wouldn’t. So, you’re experiencing the story anew.
I don't think I could put away a manuscript for a year, but looking from the reader’s perspective is so important, and time is great for that.
I think it's great for getting the rhythms and tensions right, taking care of the reader, making sure you show them around properly, give them
a sense of the people, the surroundings.
But one thing is, what kind of reader are you inviting into
your story during revision? I think some people dislike revision because they
see it as the frowning editor/judge phase of writing. That can be hampering.
When I think of a reader's perspective, I think about my creative allies, like my critique partners,
and sometimes supportive readers. I never envision harsh editors or frowning
readers.
My mindset is like, there is a hidden perfect story in there
and I am hard at work finding it, and the drudge work is done, and I’m getting
closer and closer. And I have this feeling that they will be excited for what
is working and they will tell me what isn’t, and that will help me get closer
to my goal.
There are these twitter/blog things where you post parts of
your work in progress—six sentence Sunday, Snippet Saturday. These have really
taught me a lot about how much more I can revise when I think I’m done. Like, I’ll
find what I think is a really fun, good part to put up, but then when I imagine
everyone reading just that tiny part, I see more and more new things to fix and
change.
I used to laugh about this story about a famous author
actually changing his book IN the bookstore. He would take a book he’d authored
and cross stuff out and revise. I don’t remember who it was but it in was in
the Paris Reviews Interviews series. It's a favorite story of mine, because I do love to revise.
Anyway, last year I put up this novella
about my character Simon. I was really happy with it. I kind of thought it was my
best work and I still sort of do. But then this summer, I started feeling like it needed an epilogue.
And what is scary about digital publishing is that you can change the stuff
after it’s been in the bookstore. You never have to be done!
I totally want to read that epilogue.
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